A powerful testament to sisterhood, soccer, and the power of standing up for what’s right.
This French import weaves together sports, friendship, and resistance against sexism through the story of girls’ soccer team the Rosigny Roses.
When their club decides to have the girls’ team forfeit—even though they qualified for nationals—in favor of funding the boys’ team, white-presenting Barbara, who’s in her final year of secondary school, rallies her fractured teammates to fight back. Their efforts culminate in a high-stakes challenge match against the boys to determine who will get the funding for the championships. The relationships among the characters feel authentically complex, from Barbara’s strained dynamic with her seemingly unsupportive mother to her complicated romance with her boyfriend (brown-skinned soccer player Bilal, who may be selling drugs), and internal conflicts threatening the team’s unity. Through Jawad, a sympathetic restaurant owner who becomes a supportive ally of the Rosigny Roses, Wary demonstrates how sports can forge community bonds that transcend the playing field. The art, executed in felt-tip pen, pulses with energy and emotion, most notably in the recurring motif of turbulent skies rendered in varying bold hues of pinks, oranges, purples, and blues that mirror the story’s tensions. The vivid palette and dynamic illustrations capture both quiet moments of teenage uncertainty and explosive scenes of athletic action, while the diverse team members reflect the multicultural reality of suburban Paris. The translation maintains the story’s distinctly French sensibility without losing its universal appeal.
A powerful testament to sisterhood, soccer, and the power of standing up for what’s right. (Graphic fiction. 16-adult)Pub Date: March 25, 2025
ISBN: 9798875000423
Page Count: 240
Publisher: Fantagraphics Books
Review Posted Online: April 4, 2025
Kirkus Reviews Issue: May 1, 2025
PERSPECTIVES
Riveting, brutal and beautifully told.
A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.
Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.
Riveting, brutal and beautifully told. (Fiction. 14 & up)Pub Date: May 13, 2014
ISBN: 978-0-385-74126-2
Page Count: 240
Publisher: Delacorte
Review Posted Online: March 16, 2014
Kirkus Reviews Issue: April 1, 2014
PROFILES
BOOK TO SCREEN
BOOK TO SCREEN
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
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