by Chris Anderson & Sharon McGehee ‧ RELEASE DATE: Aug. 1, 1991
Pedestrian account of the investigation and trial of an unusually monstrous parricide. On March 31, 1984, Judias Buenoano was convicted of first- degree murder, and is now on Florida's death row. Buenoano poisoned two husbands and her son; when arsenic left the boy only partially paralyzed, she took him fishing and shoved him (he wore steel leg braces weighing 50 pounds) out of the boat. She then blew up her boyfriend in his car—the crime that led to her arrest. Shortly before killing her victims, she took out multiple life-insurance policies on them, and for 12 years evaded discovery by moving to new communities. Anderson and McGehee, an N.Y.C. husband-and-wife writing-producing team, re-create the story through a chronicle- -assembled through interviews and court and medical records—of the work of Ted Chamberlain, the Pensacola detective who made the case against the killer. Buenoano is an interesting murderess, and the authors vividly re-create the milieu in which she operated. Their invented dialogue, however, is wooden when supplying narrative detail (``The victim, a John Gentry, white male, thirty-six, had already been taken to Sacred Heart Hospital...'') and clichÇd when used to convey personality (``That's mighty white of you buddy''). Through this clumsy treatment, Chamberlain comes off as a brooding Neanderthal. Since Buenoano was an inept killer and making the case against her was a routine assembling of evidence, the real interest in her story is psychological: One wishes that instead of padding their book with court testimony (more than 100 pages), the authors had probed deeper into Buenoano's background. Buenoano's madness harks back to Victorian England, when coldblooded and elaborately schemed murders of families by a spouse were more common; even contrasted to those, the crime here is particularly heinous. A book that students of murder will want to have despite its flaws. (Eight pages of photographs—not seen.)
Pub Date: Aug. 1, 1991
ISBN: 0-8184-0542-2
Page Count: 320
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 1991
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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