by Chris Barash ; illustrated by Alessandra Psacharopulo ‧ RELEASE DATE: Nov. 1, 2019
This book is the rare one that might benefit from fewer bold choices of words.
Not all surprises are welcome.
Almost every line in this picture book includes an unexpected word or two. The first sentence begins: “When we look out the window / at trees dressed in browns.” In a prose story, that might have been a pleasant alternative to “leaves changing color” or “turning brown,” but it feels shoehorned into this book to rhyme with “and smile to imagine their leafy green gowns.” The rest of the poem is just as contrived. It’s possible that the (presumably North American) protagonists’ family members in Israel really would “send pictures of bees,” but it’s more likely the bees are there in order to rhyme with the “pink almond trees” on the next page. The book does, however, effectively sum up the theme of the Jewish holiday celebrating the oncoming spring: We love trees! It even works in a welcome, fitting environmental message (though “recycle, reduce, and reuse” is awkwardly rhymed with “help spread the news”). The pictures are charmingly old-fashioned. They come from the mid-20th-century M. Sasek school of illustration, with bright colors and no black outlines drawn around the characters. Most of the characters are white and part of the same family, but two darker-skinned friends of the children show up near the end of the book to help plant trees.
This book is the rare one that might benefit from fewer bold choices of words. (Picture book. 4-8)Pub Date: Nov. 1, 2019
ISBN: 978-0-8075-6333-5
Page Count: 32
Publisher: Whitman
Review Posted Online: Nov. 9, 2019
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by James Dean ; illustrated by James Dean ‧ RELEASE DATE: Sept. 18, 2018
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
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by Kimberly Dean ; illustrated by James Dean
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by James Dean & Kimberly Dean ; illustrated by James Dean
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by Drew Daywalt ; illustrated by Oliver Jeffers ‧ RELEASE DATE: Dec. 24, 2019
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
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by Drew Daywalt ; illustrated by Oliver Jeffers
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by Drew Daywalt & illustrated by Oliver Jeffers
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