Unusual, entertaining, and deeply moving.
An anthology centered around the seder, a dinner held on the first one or two nights of the eight-day springtime holiday of Passover.
“Why is this night different from all other nights?” This question is one of four asked by the youngest child present at a Passover seder, an ancient celebration with steps guided by the reading of the Haggadah and highlighted by a delicious meal. In this anthology, the steps are named in Hebrew, with definitions followed by four related, open-ended questions from the editors. Each story opens with a striking black-and-white illustration. The diversity of the contributors (including Laurel Snyder, Adam Gidwitz, Sofiya Pasternack, Ruth Behar, A.J. Sass, and Veera Hiranandani) and the families portrayed in the stories are real strengths. The entries include hilarious mix-ups, grief for a departed grandparent, and immigrants struggling to leave the old country or adjusting to life in early 20th-century New York City. Other themes include coming to grips with the dark history of Exodus, experiencing angst about fitting in, growing up and accepting new roles, and being truthful about gender identity. Some Yiddish and Hebrew expressions aren’t fully defined, and the volume overall expects readers to have a deep knowledge of Judaism. Young people will become engrossed in the richly detailed narratives, learn a great deal about different ways to conduct a seder, and root for the protagonists.
Unusual, entertaining, and deeply moving. (recipes, author bios) (Anthology. 9-13)Pub Date: March 26, 2024
ISBN: 9781419767296
Page Count: 304
Publisher: Amulet/Abrams
Review Posted Online: March 9, 2024
Kirkus Reviews Issue: April 1, 2024
BOOK REVIEW
BOOK REVIEW
A thoughtful, humorous, community-centered exploration of identity and Buddhism.
Stories of Buddha’s past lives help a young boy “find [himself] in the moment.”
Binh and his siblings, who are of Vietnamese descent, can’t believe they’re spending the weekend at a silent meditation retreat. Binh would rather play his Game Boy so he doesn’t have to meditate and inevitably think about the bullies at school. It is only when Sister Peace tells stories about the Buddha and his past life that Binh is able to imagine himself entering a video game–inspired world and thus process his feelings of shame, isolation, and anger. With each Jataka tale, Binh’s awareness expands, and so, too, does his ability to be present for and helpful to those around him. A welcome addition to the handful of middle-grade stories featuring Buddhist protagonists, this exploration of identity and Buddhist principles will find an audience with young readers who love Raina Telgemeier but aren’t quite ready to level up to the complexity and nuance of Gene Luen Yang’s epic American Born Chinese (2006). The video game elements are compelling, although they understandably diminish as the story progresses and the protagonist’s inner life grows. Warm fall colors and luscious black lines anchor the story as it transitions among flashbacks, stories, and the present day. Filled with talking animals, the parables can be a little heavy-handed, but the witty banter between Binh and the narrator during fantasy sequences provides levity. (This review was updated for accuracy.)
A thoughtful, humorous, community-centered exploration of identity and Buddhism. (bibliography) (Graphic fiction. 9-12)Pub Date: Sept. 19, 2023
ISBN: 9780759555488
Page Count: 144
Publisher: Little, Brown Ink
Review Posted Online: July 13, 2023
Kirkus Reviews Issue: Aug. 1, 2023
PERSPECTIVES
Reads like a grown-up’s over-the-top effort to peddle a set of kid-friendly premises—a notion that worked for the author’s...
A boy asks Santa for a dinosaur and gets a life-changing experience.
Cribbing freely from any number of classic Christmas stories and films, musician/vlogger Fletcher places his 10-year-old protagonist, William, who uses a wheelchair, at the head of an all-white human cast that features his widowed dad, a girl bully, and a maniacal hunter—plus a dinosaur newly hatched from an egg discovered in the North Pole’s ice by Santa’s elves. Having stowed away on Santa’s sleigh, Christmasaurus meets and bonds with William on Christmas Eve, then, fueled by the power of a child’s belief, flies the lad to the North Pole (“It’s somewhere between Imagination and Make-Believe”) for a meeting with the jolly toymaker himself. Upon his return William gets to see the hunter (who turns out to be his uncle) gun down his dad (who survives), blast a plush dinosaur toy to bits, and then with a poster-sized “CRUNCH! GULP!” go down Christmasaurus’ hatch. In the meantime (emphasis on “mean”), after William spots his previously vicious tormenter, Brenda Payne, crying in the bushes, he forgives trespasses that in real life would have had her arrested and confined long ago. Seemingly just for laffs, the author tosses in doggerel-speaking elves (“ ‘If it’s a girl, can we call her Ginny?’ / ‘I think it’s a boy! Look, he’s got a thingy!’ ”) and closes with further lyrics and a list of 10 (secular) things to love about Christmas. Devries adds sugary illustrations or spot art to nearly every spread.
Reads like a grown-up’s over-the-top effort to peddle a set of kid-friendly premises—a notion that worked for the author’s The Dinosaur That Pooped a Planet (2017), but not here. (Fantasy. 9-11)Pub Date: Oct. 23, 2018
ISBN: 978-1-5247-7330-4
Page Count: 384
Publisher: Random House
Review Posted Online: July 15, 2018
Kirkus Reviews Issue: Aug. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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