A zany, rollicking story with hilarious illustrations.
When Henry ignores his school’s loud bells and continues to read a mesmerizing book, chaos ensues—and several inept adults attempt to remedy the situation.
Readers will identify with Henry when he tries to read “the most awesome book about a bike” and is interrupted, first in the library and then after recess. When the lunch bell rings, Henry, for the first time in his young life, decides to ignore it and “just stay put.” So far, readers have observed a reasonably well-behaved group of cartoonlike children representing many ethnicities. Both Henry and Ms. Sabio, his teacher, have light brown skin and dark hair, though his is straight and hers is tightly curled. Funny, subtle details emerge early, such as a student picking their nose. Next, the text and artwork become silly to the point of laughter, as Henry’s refusal to leave his book causes a messy chain reaction in the cafeteria, where the food meant for Henry’s tray instead goes “SPLOT!—onto the floor.” One elected official after another each demands louder bells, which cause increasingly more mayhem. As children and adults scatter and various classroom objects implode, Henry reads on. Finally, Ms. Sabio, who was rudely interrupted by the mayor when she tried to explain why Henry stayed put, saves the day with a simple solution.
A zany, rollicking story with hilarious illustrations. (Picture book. 4-8)Pub Date: Oct. 17, 2017
ISBN: 978-1-68119-729-6
Page Count: 40
Publisher: Bloomsbury
Review Posted Online: June 13, 2017
Kirkus Reviews Issue: July 1, 2017
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
An invitation to wonder, imagine and look at everything (humans included) in a new way.
A young boy sees things a little differently than others.
Noah can see patterns in the dust when it sparkles in the sunlight. And if he puts his nose to the ground, he can smell the “green tang of the ants in the grass.” His most favorite thing of all, however, is to read. Noah has endless curiosity about how and why things work. Books open the door to those answers. But there is one question the books do not explain. When the wind comes whistling by, where does it go? Noah decides to find out. In a chase that has a slight element of danger—wind, after all, is unpredictable—Noah runs down streets, across bridges, near a highway, until the wind lifts him off his feet. Cowman’s gusty wisps show each stream of air turning a different jewel tone, swirling all around. The ribbons gently bring Noah home, setting him down under the same thinking tree where he began. Did it really happen? Worthington’s sensitive exploration leaves readers with their own set of questions and perhaps gratitude for all types of perspective. An author’s note mentions children on the autism spectrum but widens to include all who feel a little different.
An invitation to wonder, imagine and look at everything (humans included) in a new way. (Picture book. 4-8)Pub Date: April 14, 2015
ISBN: 978-1-60554-356-7
Page Count: 32
Publisher: Redleaf Lane
Review Posted Online: Feb. 2, 2015
Kirkus Reviews Issue: Feb. 15, 2015
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