by Chris Barton ; illustrated by Steffi Walthall ‧ RELEASE DATE: Jan. 11, 2022
Readers will be inspired by one man’s guiding ethic: forward ever, backward never.
This solid, though somewhat didactic, biography rescues an influential civil rights activist from relative obscurity.
Growing up in the Jim Crow South, Alton Yates witnessed the indignities suffered by Black war veterans due to racism. Still, young Alton longed to join the Air Force and advance his education, so he enlisted in 1955. At Holloman Air Force Base in New Mexico, he met Paul Stapp, a White lieutenant colonel known as the “Fastest Human on Earth” because of record-breaking speed tests he’d endured. Dr. Stapp was conducting pioneering studies examining human tolerance to extreme acceleration and deceleration and was recruiting research volunteers. Alton stepped up immediately. For four years, he submitted himself to physically punishing experiments, risking his life in the name of scientific progress, until his father’s illness drew him away from military service. Upon returning home to Jacksonville, Florida, Alton, emboldened by the respect and dignity he had been afforded at Holloman, committed himself to the battle for racial justice. The story relates his involvement in Jacksonville’s NAACP Youth Council and the dangers he encountered while participating in civil rights protests en route to its soberly triumphal ending summarizing Yates’ legacy. The digitally rendered illustrations are historically accurate but somewhat unoriginal and depict White characters and Black characters of various skin tones. The backmatter, including the author’s photograph with Alton Yates, is informative. (This book was reviewed digitally.)
Readers will be inspired by one man’s guiding ethic: forward ever, backward never. (timeline, author's note, illustrator's note, selected sources) (Picture book biography. 6-9)Pub Date: Jan. 11, 2022
ISBN: 978-1-5344-7365-2
Page Count: 48
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: Nov. 15, 2021
Kirkus Reviews Issue: Dec. 1, 2021
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by Chris Paul ; illustrated by Courtney Lovett ‧ RELEASE DATE: Jan. 10, 2023
Blandly inspirational fare made to evoke equally shrink-wrapped responses.
An NBA star pays tribute to the influence of his grandfather.
In the same vein as his Long Shot (2009), illustrated by Frank Morrison, this latest from Paul prioritizes values and character: “My granddad Papa Chilly had dreams that came true,” he writes, “so maybe if I listen and watch him, / mine will too.” So it is that the wide-eyed Black child in the simply drawn illustrations rises early to get to the playground hoops before anyone else, watches his elder working hard and respecting others, hears him cheering along with the rest of the family from the stands during games, and recalls in a prose afterword that his grandfather wasn’t one to lecture but taught by example. Paul mentions in both the text and the backmatter that Papa Chilly was the first African American to own a service station in North Carolina (his presumed dream) but not that he was killed in a robbery, which has the effect of keeping the overall tone positive and the instructional content one-dimensional. Figures in the pictures are mostly dark-skinned. (This book was reviewed digitally.)
Blandly inspirational fare made to evoke equally shrink-wrapped responses. (Picture book. 6-8)Pub Date: Jan. 10, 2023
ISBN: 978-1-250-81003-8
Page Count: 32
Publisher: Roaring Brook Press
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
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by Ruby Bridges ; illustrated by Nikkolas Smith ‧ RELEASE DATE: Sept. 6, 2022
A unique angle on a watershed moment in the civil rights era.
The New Orleans school child who famously broke the color line in 1960 while surrounded by federal marshals describes the early days of her experience from a 6-year-old’s perspective.
Bridges told her tale to younger children in 2009’s Ruby Bridges Goes to School, but here the sensibility is more personal, and the sometimes-shocking historical photos have been replaced by uplifting painted scenes. “I didn’t find out what being ‘the first’ really meant until the day I arrived at this new school,” she writes. Unfrightened by the crowd of “screaming white people” that greets her at the school’s door (she thinks it’s like Mardi Gras) but surprised to find herself the only child in her classroom, and even the entire building, she gradually realizes the significance of her act as (in Smith’s illustration) she compares a small personal photo to the all-White class photos posted on a bulletin board and sees the difference. As she reflects on her new understanding, symbolic scenes first depict other dark-skinned children marching into classes in her wake to friendly greetings from lighter-skinned classmates (“School is just school,” she sensibly concludes, “and kids are just kids”) and finally an image of the bright-eyed icon posed next to a soaring bridge of reconciliation. (This book was reviewed digitally.)
A unique angle on a watershed moment in the civil rights era. (author and illustrator notes, glossary) (Autobiographical picture book. 6-8)Pub Date: Sept. 6, 2022
ISBN: 978-1-338-75388-2
Page Count: 48
Publisher: Orchard/Scholastic
Review Posted Online: June 21, 2022
Kirkus Reviews Issue: July 15, 2022
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