Next book

CLOSE YOUR EYES, HOLD HANDS

Readers hoping for a futuristic novel imagining the aftermath of a Fukushima-type disaster in the United States may be...

After a nuclear meltdown, a Vermont teen flees to the mean streets of Burlington.

Emily Shepard, 16, is hanging out with fellow juniors in the lunchroom at her exclusive private school when sirens signal disaster: The Cape Abenaki nuclear power plant in northeastern Vermont has exploded, and the entire area surrounding it, including the school, must be evacuated immediately. Rather than stay with her classmates, Emily strikes out on her own. She assumes, correctly as it develops, that her father, the chief engineer at the plant, and her mother, the communications director, were killed in the disaster. Her entire town is cordoned off, part of an “exclusion zone”; armed guards prevent Emily from returning home to rescue the family dog. As she hitchhikes southwest toward Burlington, she overhears talk blaming her father for the accident. (Both her parents were heavy drinkers.) Fearing she will be asked to testify about her father’s alcoholism, she assumes a new identity and claims to be 18. After bouncing from a Burlington shelter to the home of a drug dealer who exploits her and other young women as prostitutes, Emily rescues 9-year-old Cameron, an escapee from an abusive foster home. During the frigid Vermont winter, the two inhabit an igloo of frozen, leaf-filled trash bags, but when spring thaw melts their domicile, Emily gets a waitressing job and a place to stay, thanks to a shelter acquaintance. This newfound security is short-lived: Cameron falls seriously ill, and after an emergency room visit threatens to expose both their identities, Emily fears she has run out of Plan B’s.

Readers hoping for a futuristic novel imagining the aftermath of a Fukushima-type disaster in the United States may be disappointed—Bohjalian’s primary focus is on examining, in wrenching detail, the dystopia wrought by today’s economy. Emily’s voice is a compelling one, however, and hers is a journey readers will avidly follow.

Pub Date: July 8, 2014

ISBN: 978-0-385-53483-3

Page Count: 288

Publisher: Doubleday

Review Posted Online: May 28, 2014

Kirkus Reviews Issue: June 15, 2014

Awards & Accolades

Likes

  • Readers Vote
  • 189


Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2019

Next book

THE LAST LETTER

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

Awards & Accolades

Likes

  • Readers Vote
  • 189


Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2019

A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.

Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

Pub Date: Feb. 26, 2019

ISBN: 978-1-64063-533-3

Page Count: 432

Publisher: Entangled: Amara

Review Posted Online: Jan. 2, 2019

Kirkus Reviews Issue: Feb. 15, 2019

Next book

THEN SHE WAS GONE

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 5, 2018

Kirkus Reviews Issue: Feb. 15, 2018

Close Quickview