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MIDWIVES

Bohjalian (Water Witches, 1995, etc.) blends some provocative moral, medical, and political issues into a classic coming-of-age story in this To Kill a Mockingbirdlike reminiscence of the murder trial of a midwife, as witnessed by her teenaged daughter. From the day back in the '60s when Sibyl Danforth stepped forward in an emergency to help a pregnant friend give birth, she fell in love with the birthing process and dedicated herself to a calling as a lay midwife in rural Vermont. But as her obstetrician daughter, Connie, points out, Sibyl never bothered to obtain certification from the American College of Nurse-Midwives. Still, neighbors who wanted to have their babies at home felt comfortable calling on her. Among Sibyl's patients in 1981, the year Connie turned 14, was a minister's wife named Charlotte Bedford, a fragile woman whose incredibly difficult labor led to a stroke and what appeared to be Charlotte's death. Prevented by a heavy snowstorm from getting Charlotte to a hospital, Sibyl frantically tried to save the baby's life by performing an emergency cesarean on the presumably dead woman. Only after Charlotte is carted away does the question arise: Was the woman actually dead when Sibyl cut her open? In a strong, ruminative voice, Connie re-creates that terrible year when the state's attorney, Charlotte Bedford's family, the local medical community, and even members of the Danforths' small hometown seemed to conspire to put not just Sibyl but the entire practice of home birthing on trial. Connie, fearing witch-huntstyle reprisals, eventually broke the law to protect her beloved mother's freedom. But the question remains: Did Sibyl kill Charlotte for the sake of her baby? Rich in moral ambiguity, informative to a fault on the methods and politics of childbirth, and perceptive regarding the whipsawing desires and loyalties of a perfectly normal teenaged girl: a compelling, complex novel and the strongest yet from the talented Bohjalian. (Film rights to Columbia-Tristar; Book-of-the-Month Club/Quality Paperback Book Club selection)

Pub Date: April 1, 1997

ISBN: 0-517-70396-3

Page Count: 320

Publisher: Harmony

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 1997

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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HOME FRONT

Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s...

 The traumatic homecoming of a wounded warrior.

The daughter of alcoholics who left her orphaned at 17, Jolene “Jo” Zarkades found her first stable family in the military: She’s served over two decades, first in the army, later with the National Guard. A helicopter pilot stationed near Seattle, Jo copes as competently at home, raising two daughters, Betsy and Lulu, while trying to dismiss her husband Michael’s increasing emotional distance. Jo’s mettle is sorely tested when Michael informs her flatly that he no longer loves her. Four-year-old Lulu clamors for attention while preteen Betsy, mean-girl-in-training, dismisses as dweeby her former best friend, Seth, son of Jo’s confidante and fellow pilot, Tami. Amid these challenges comes the ultimate one: Jo and Tami are deployed to Iraq. Michael, with the help of his mother, has to take over the household duties, and he rapidly learns that parenting is much harder than his wife made it look. As Michael prepares to defend a PTSD-afflicted veteran charged with Murder I for killing his wife during a dissociative blackout, he begins to understand what Jolene is facing and to revisit his true feelings for her. When her helicopter is shot down under insurgent fire, Jo rescues Tami from the wreck, but a young crewman is killed. Tami remains in a coma and Jo, whose leg has been amputated, returns home to a difficult rehabilitation on several fronts. Her nightmares in which she relives the crash and other horrors she witnessed, and her pain, have turned Jo into a person her daughters now fear (which in the case of bratty Betsy may not be such a bad thing). Jo can't forgive Michael for his rash words. Worse, she is beginning to remind Michael more and more of his homicide client. Characterization can be cursory: Michael’s earlier callousness, left largely unexplained, undercuts the pathos of his later change of heart. 

Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s aftermath.

Pub Date: Jan. 31, 2012

ISBN: 978-0-312-57720-9

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Dec. 18, 2011

Kirkus Reviews Issue: Jan. 1, 2012

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