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THE SLEEPWALKER

Sensational subject matter aside, this thriller is a sleeper.

Bohjalian’s latest considers the impact of a sleepwalker’s disappearance on her husband and children.

Lianna Ahlberg, Bohjalian’s 21-year-old protagonist and first-person narrator, drops out of Amherst after her mother, Annalee, a known sleepwalker, disappears one night. Lianna takes over the running of the family’s Victorian home in the fictitious village of Bartlett, Vermont. The family and police fear her mother may have fallen, or jumped, off a bridge into the river below—a somnambulating Annalee had been wrestled off that bridge before, by Lianna. Her father, Warren, a Middlebury College professor, copes poorly, dosing himself with scotch and passing out every night in front of the TV. Preteen sister Paige, the only athlete and brunette in the family (causing some to doubt her parentage), bridles under Lianna’s supervision. Lianna is drawn to Gavin Rikert, the police detective investigating the disappearance. Gavin, 12 years her senior, is equally interested in her. A sleepwalker himself, Gavin had maintained an avowedly platonic friendship with Annalee after they met in a sleep clinic. Italicized segments preceding each chapter are narrated by a sleepwalking insider, presumably Annalee, who claims to suffer from “sexsomnia”: a rare condition wherein sleepwalkers turn sexually voracious. If they're in bed alone, as Annalee was on the night she went missing (Warren was at a conference), they'll go in search of a partner and/or victim. Alarmingly, it turns out that Gavin also has that proclivity, which doesn’t bother Lianna as much as it should, especially after they begin sleeping together. The problem with the novel is primarily one of shape. The first two-thirds of the book are spent wondering whether Annalee is missing or dead. Once we find out, the pace picks up, but the only reason the ending is a surprise is because most of the clues seeded in the first two-thirds prove to be red herrings.

Sensational subject matter aside, this thriller is a sleeper.

Pub Date: Oct. 10, 2016

ISBN: 978-0-385-53891-6

Page Count: 304

Publisher: Doubleday

Review Posted Online: Oct. 18, 2016

Kirkus Reviews Issue: Nov. 1, 2016

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ONE DAY IN DECEMBER

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...

True love flares between two people, but they find that circumstances always impede it.

On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.

Pub Date: Oct. 16, 2018

ISBN: 978-0-525-57468-2

Page Count: 400

Publisher: Crown

Review Posted Online: July 30, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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IT ENDS WITH US

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...

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Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.

At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.

Pub Date: Aug. 2, 2016

ISBN: 978-1-5011-1036-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 30, 2016

Kirkus Reviews Issue: June 15, 2016

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