by Chris Clarkson ‧ RELEASE DATE: June 13, 2022
No big surprises but the familiar still elicits investment in these fun and caring characters.
A New Orleans love story for these ages.
When 17-year-old Tennessee Rebel Williams moved to New Orleans from Oxford, Mississippi, he thought he was leaving behind the explosive fights between his often absent mom and his bigot of a father and that he might even be able to reinvent himself. His parents’ separation doesn’t stick, and his mom fails to put in any effort to care for him, but Tennessee quickly falls for Jessamine Grace Monet, a high school senior and NOLA native with her guard up and a lot to work through. Jess and her twin brother, Joel, were 5 when they lost their father and home in the devastation of Hurricane Katrina, which was followed by a series of violently traumatic events. Getting close to either sibling is understandably difficult. Tenn and Saint Olivier Baptiste, his new bestie at Magnolia Prep, stubbornly give it a shot anyway despite predictable star-crossed obstacles. Saint is flamboyant and confident, while Joel is closeted and cautious; Jess, who is Black, is reluctant to even fall in like with anyone but especially with a small-town White boy like Tenn. Socio-economic differences likewise separate them from the twins, who are far from wealthy. In this slightly overlong dual first-person narrative where the queer characters sometimes fade into the background, Tenn’s and Jess’ respective journeys are refreshingly heartfelt.
No big surprises but the familiar still elicits investment in these fun and caring characters. (Fiction. 13-18)Pub Date: June 13, 2022
ISBN: 978-1-64379-501-0
Page Count: 400
Publisher: Tu Books
Review Posted Online: April 12, 2022
Kirkus Reviews Issue: May 1, 2022
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BOOK REVIEW
by Chris Clarkson ; illustrated by Julie Jarema
BOOK REVIEW
by Chris Clarkson ; illustrated by Annalise Barber
by Daniel Aleman ‧ RELEASE DATE: May 4, 2021
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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PERSPECTIVES
by Lauren Roberts ‧ RELEASE DATE: Nov. 7, 2023
A lackluster and sometimes disturbing mishmash of overused tropes.
The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.
Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.
A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)Pub Date: Nov. 7, 2023
ISBN: 9798987380406
Page Count: 538
Publisher: Simon & Schuster
Review Posted Online: Sept. 9, 2023
Kirkus Reviews Issue: Oct. 1, 2023
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