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HOUSE OF SECRETS

Ending with the promise (or threat) of further adventures, this is clearly intended to be the next big thing—whether it...

Columbus and Vizzini craft a fast-moving, cinematic narrative that packs plenty of punch but may still have trouble measuring up to the competition.

The plot is predictable yet peculiar. Three kids lose their parents suddenly—and horribly—before being thrust into a series of manic adventures. The action ping-pongs wildly from a primeval forest peopled by savage warriors to the high seas, festooned with murderous pirates and hungry sharks, to a medieval-style castle ruled by a vicious queen. The children are cardboard characters at best: Cordelia, the brainy, bookish oldest sister; Brendan, the hyperactive, game- and sport-obsessed 14-year-old brother; 8-year-old Eleanor, spunky and sweet with a learning disability thrown in for spice (and plot potential). Secondary characters are even more sketchily drawn, which suits perfectly in some cases but weakens their impact in others. The text often reads like a script, providing direction rather than description. Some details seem gratuitously gross and/or violent, and the dialogue doesn’t always ring true. Worst of all, how the authors get their heroes out of trouble and back to the real world seems anticlimactic and, even within the fantastic framework of the story, not entirely believable.

Ending with the promise (or threat) of further adventures, this is clearly intended to be the next big thing—whether it fulfills that ambition remains to be seen. (Fantasy. 10-14)

Pub Date: April 23, 2013

ISBN: 978-0-06-219246-2

Page Count: 496

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: March 1, 2013

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CAPTAIN UNDERPANTS AND THE TERRIFYING RETURN OF TIPPY TINKLETROUSERS

From the Captain Underpants series , Vol. 9

Is this the end? Well, no…the series will stagger on through at least one more scheduled sequel.

Sure signs that the creative wells are running dry at last, the Captain’s ninth, overstuffed outing both recycles a villain (see Book 4) and offers trendy anti-bullying wish fulfillment.

Not that there aren’t pranks and envelope-pushing quips aplenty. To start, in an alternate ending to the previous episode, Principal Krupp ends up in prison (“…a lot like being a student at Jerome Horwitz Elementary School, except that the prison had better funding”). There, he witnesses fellow inmate Tippy Tinkletrousers (aka Professor Poopypants) escape in a giant Robo-Suit (later reduced to time-traveling trousers). The villain sets off after George and Harold, who are in juvie (“not much different from our old school…except that they have library books here.”). Cut to five years previous, in a prequel to the whole series. George and Harold link up in kindergarten to reduce a quartet of vicious bullies to giggling insanity with a relentless series of pranks involving shaving cream, spiders, effeminate spoof text messages and friendship bracelets. Pilkey tucks both topical jokes and bathroom humor into the cartoon art, and ups the narrative’s lexical ante with terms like “pharmaceuticals” and “theatrical flair.” Unfortunately, the bullies’ sad fates force Krupp to resign, so he’s not around to save the Earth from being destroyed later on by Talking Toilets and other invaders…

Is this the end? Well, no…the series will stagger on through at least one more scheduled sequel. (Fantasy. 10-12)

Pub Date: Aug. 28, 2012

ISBN: 978-0-545-17534-0

Page Count: 304

Publisher: Scholastic

Review Posted Online: June 19, 2012

Kirkus Reviews Issue: July 15, 2012

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NOWHERE BOY

A captivating book situated in present-day discourse around the refugee crisis, featuring two boys who stand by their high...

Two parallel stories, one of a Syrian boy from Aleppo fleeing war, and another of a white American boy, son of a NATO contractor, dealing with the challenges of growing up, intersect at a house in Brussels.

Ahmed lost his father while crossing the Mediterranean. Alone and broke in Europe, he takes things into his own hands to get to safety but ends up having to hide in the basement of a residential house. After months of hiding, he is discovered by Max, a boy of similar age and parallel high integrity and courage, who is experiencing his own set of troubles learning a new language, moving to a new country, and being teased at school. In an unexpected turn of events, the two boys and their new friends Farah, a Muslim Belgian girl, and Oscar, a white Belgian boy, successfully scheme for Ahmed to go to school while he remains in hiding the rest of the time. What is at stake for Ahmed is immense, and so is the risk to everyone involved. Marsh invites art and history to motivate her protagonists, drawing parallels to gentiles who protected Jews fleeing Nazi terror and citing present-day political news. This well-crafted and suspenseful novel touches on the topics of refugees and immigrant integration, terrorism, Islam, Islamophobia, and the Syrian war with sensitivity and grace.

A captivating book situated in present-day discourse around the refugee crisis, featuring two boys who stand by their high values in the face of grave risk and succeed in drawing goodwill from others. (Historical fiction. 10-14)

Pub Date: Aug. 7, 2018

ISBN: 978-1-250-30757-6

Page Count: 368

Publisher: Roaring Brook Press

Review Posted Online: June 10, 2018

Kirkus Reviews Issue: July 1, 2018

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