Screamingly fun.
Can a book about napping be a lively story? Why, yes. Meet Annalise.
Middle-grade novelist Grabenstein, perhaps best known for the Mr. Lemoncello’s Library series, turns to picture books in this story of a spunky toddler who prefers shrieking to napping. Her weary father pushes her through town in a stroller, hoping it will lull her to sleep. The two discover that the townspeople, one by one, are more than happy to “take” Annalise’s nap in her stead. Everyone stops in their tracks to get some shut-eye while Annalise is “the only one in the whole wide sleepy world who would not fall asleep.” When she’s finally ready to, she can’t; “all the naps had already been taken!” Cue more shouting: “I WANT TO TAKE A NAP!” Grabenstein writes chummily, often directly addressing readers (“Do you know anyone like that?”). The book’s display type plays with font size and color to accentuate Annalise’s wails, and Espinosa fills the retro illustrations, reminiscent of mid-20th-century classics, with funny details, including snoozing pigeons, fish, and ducks. Preschoolers will find the defiant protagonist’s protests a little bit thrilling and 100% funny. Delightfully, the front endpapers feature a large, red “WAAAAAH!”; the closing ones, a small, blue “Shhhh” after the girl has finally, mercifully closed her eyes. Annalise and her family have pale skin; Espinosa depicts a diverse group of townspeople who will gladly take her naps for her.
Screamingly fun. (Picture book. 3-8)Pub Date: Feb. 4, 2020
ISBN: 978-1-5247-7128-7
Page Count: 40
Publisher: Random House
Review Posted Online: Nov. 4, 2019
Kirkus Reviews Issue: Dec. 1, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A nice but not requisite purchase.
A retelling of the classic fairy tale in board-book format and with a Mexican setting.
Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.
A nice but not requisite purchase. (Board book/fairy tale. 3-5)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-7915-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
BOOK REVIEW
BOOK REVIEW
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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