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NO MORE NAPS!

A STORY FOR WHEN YOU'RE WIDE-AWAKE AND DEFINITELY NOT TIRED

Screamingly fun.

Can a book about napping be a lively story? Why, yes. Meet Annalise.

Middle-grade novelist Grabenstein, perhaps best known for the Mr. Lemoncello’s Library series, turns to picture books in this story of a spunky toddler who prefers shrieking to napping. Her weary father pushes her through town in a stroller, hoping it will lull her to sleep. The two discover that the townspeople, one by one, are more than happy to “take” Annalise’s nap in her stead. Everyone stops in their tracks to get some shut-eye while Annalise is “the only one in the whole wide sleepy world who would not fall asleep.” When she’s finally ready to, she can’t; “all the naps had already been taken!” Cue more shouting: “I WANT TO TAKE A NAP!” Grabenstein writes chummily, often directly addressing readers (“Do you know anyone like that?”). The book’s display type plays with font size and color to accentuate Annalise’s wails, and Espinosa fills the retro illustrations, reminiscent of mid-20th-century classics, with funny details, including snoozing pigeons, fish, and ducks. Preschoolers will find the defiant protagonist’s protests a little bit thrilling and 100% funny. Delightfully, the front endpapers feature a large, red “WAAAAAH!”; the closing ones, a small, blue “Shhhh” after the girl has finally, mercifully closed her eyes. Annalise and her family have pale skin; Espinosa depicts a diverse group of townspeople who will gladly take her naps for her.

Screamingly fun. (Picture book. 3-8)

Pub Date: Feb. 4, 2020

ISBN: 978-1-5247-7128-7

Page Count: 40

Publisher: Random House

Review Posted Online: Nov. 4, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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AFTER THE FALL (HOW HUMPTY DUMPTY GOT BACK UP AGAIN)

A validating and breathtaking next chapter of a Mother Goose favorite.

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Humpty Dumpty, classically portrayed as an egg, recounts what happened after he fell off the wall in Santat’s latest.

An avid ornithophile, Humpty had loved being atop a high wall to be close to the birds, but after his fall and reassembly by the king’s men, high places—even his lofted bed—become intolerable. As he puts it, “There were some parts that couldn’t be healed with bandages and glue.” Although fear bars Humpty from many of his passions, it is the birds he misses the most, and he painstakingly builds (after several papercut-punctuated attempts) a beautiful paper plane to fly among them. But when the plane lands on the very wall Humpty has so doggedly been avoiding, he faces the choice of continuing to follow his fear or to break free of it, which he does, going from cracked egg to powerful flight in a sequence of stunning spreads. Santat applies his considerable talent for intertwining visual and textual, whimsy and gravity to his consideration of trauma and the oft-overlooked importance of self-determined recovery. While this newest addition to Santat’s successes will inevitably (and deservedly) be lauded, younger readers may not notice the de-emphasis of an equally important part of recovery: that it is not compulsory—it is OK not to be OK.

A validating and breathtaking next chapter of a Mother Goose favorite. (Picture book. 4-8)

Pub Date: Oct. 3, 2017

ISBN: 978-1-62672-682-6

Page Count: 45

Publisher: Roaring Brook Press

Review Posted Online: July 16, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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BEDTIME FOR BATMAN

From the DC Super Heroes series , Vol. 1

This should send Dark Knight fans flying to the Batcave—or the bedroom.

Holy bedtime, Batman!

In a sleepy-looking neighborhood under a dusky cerulean sky, a young, brown-haired, white boy goes through the motions of getting ready for bed: he brushes his teeth, takes a bath, picks up his toys, and feeds his fish. In a parallel visual narrative, beckoned by the cat's-eye–yellow bat-signal, Batman keeps Gotham safe for another night by catching crooks, locking them away, and avenging those who have been wronged. Though the two characters are quite different, through a carefully flexible narrative, Dahl and Beavers weave a convincing tale of just how similar they might be. “It’s time to take care of business” describes the child’s trip to the potty and Batman’s dive down a manhole equally well, for instance. Beavers' art is visually striking and vibrantly hued, perfect for keeping young eyes glued to each page. Dahl's economical text is cadenced with a gentle lilt, just right for a bedtime read-aloud. Young fans of the caped crusader will delight in spying their favorite characters. In the already-overstuffed bedtime-book market, this is certainly a niche read, but it hits its mark well, delivering fun without darkness. A “bedtime checklist” at the end aptly includes “story time.”

This should send Dark Knight fans flying to the Batcave—or the bedroom. (Picture book. 3-8)

Pub Date: Aug. 1, 2016

ISBN: 978-1-62370-732-3

Page Count: 32

Publisher: Capstone Young Readers

Review Posted Online: May 13, 2016

Kirkus Reviews Issue: June 1, 2016

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