by Chris Judge ; illustrated by Chris Judge ‧ RELEASE DATE: Sept. 1, 2015
The short and clever text and colorful images make this book a great read-aloud for wintertime story hours and cozy nights...
A quirky and snowy tale of affable beasts and friendship in unexpected places.
Every winter, the Beast has helped the mountain villagers coordinate a festival in celebration of the first day of snow. This year, both Beast and villagers are surprised and dismayed to find out that all the tools they need for the festival preparations have been stolen. Amid the chaos, one villager concludes that the unrest “must be the work of the abominable Snow Beast.” Wanting to help the villagers, the Beast promises to find the “mysterious monster” and to bring back the tools so the festival can come off. He embarks on a walk in the snow to find the Snow Beast, little knowing that this “abominable” creature is set to bring joy to his life and his village. In this follow-up to The Lonely Beast (2011) and other titles featuring the inky, furred black biped with glowing yellow eyes, Judge gives readers a tale filled with wit and ending with a folky twist. The vibrant illustrations and comic-book–style layout and transitions bring movement, depth, and whimsy to the story.
The short and clever text and colorful images make this book a great read-aloud for wintertime story hours and cozy nights at home with the little ones. (Picture book. 3-7)Pub Date: Sept. 1, 2015
ISBN: 978-1-4677-9313-1
Page Count: 32
Publisher: Andersen Press USA
Review Posted Online: June 28, 2015
Kirkus Reviews Issue: July 15, 2015
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Tish Rabe ; illustrated by Sarah Jennings
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by Drew Daywalt ; illustrated by Oliver Jeffers ‧ RELEASE DATE: Dec. 24, 2019
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
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SEEN & HEARD
SEEN & HEARD
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