There are more than a few loose threads left a-dangle, but this lightweight adventure packs a decent quantity of historical...
Four young visitors to the National Air and Space Museum scotch an attempt to rewrite the entire history of aeronautics in this Smithsonian-centric series opener.
Stunned to find all the powered aircraft in the museum suddenly switched out for balloons, science-fair winners Eric, Josephine, Dominique, and Ajay are recruited by a mysterious gent (“I AM the Smithsonian”) to travel—holographically clad in period costume—back to 1909’s Hudson-Fulton Celebration in New York. It seems that time-traveling meddlers with holographic disguises of their own are fixing to turn public opinion against heavier-than-air flight by deliberately crashing the craft belonging to Glenn Curtiss and the Wright brothers. Brisk rounds of snooping and pursuit lead to the baddies being unmasked if never identified (maybe in a future episode). The children go on to save the day with help, plus infodumps, from their interactive wristband computers and some intrepid piloting by the Wrights’ undeservedly lesser-known sister, Katharine. Though dialogue balloons sometimes get tangled, the figures in Nielsen’s neatly squared-off panels dash vigorously through their paces, and the artist renders both historical figures and background settings in accurate detail. Eric and Josephine are white, Dominique is African-American, and Ajay is probably South Asian.
There are more than a few loose threads left a-dangle, but this lightweight adventure packs a decent quantity of historical fill. (Graphic fantasy. 8-11)Pub Date: Feb. 23, 2016
ISBN: 978-1-58834-541-7
Page Count: 64
Publisher: Smithsonian Books
Review Posted Online: Jan. 8, 2016
Kirkus Reviews Issue: Jan. 15, 2016
BOOK REVIEW
Epic lunacy.
Will extragalactic rats eat the moon?
Can a cybernetic toenail clipper find a worthy purpose in the vast universe? Will the first feline astronaut ever get a slice of pizza? Read on. Reworked from the Live Cartoon series of homespun video shorts released on Instagram in 2020 but retaining that “we’re making this up as we go” quality, the episodic tale begins with the electrifying discovery that our moon is being nibbled away. Off blast one strong, silent, furry hero—“Meow”—and a stowaway robot to our nearest celestial neighbor to hook up with the imperious Queen of the Moon and head toward the dark side, past challenges from pirates on the Sea of Tranquility and a sphinx with a riddle (“It weighs a ton, but floats on air. / It’s bald but has a lot of hair.” The answer? “Meow”). They endure multiple close but frustratingly glancing encounters with pizza and finally deliver the malign, multiheaded Rat King and its toothy armies to a suitable fate. Cue the massive pizza party! Aside from one pirate captain and a general back on Earth, the human and humanoid cast in Harris’ loosely drawn cartoon panels, from the appropriately moon-faced queen on, is light skinned. Merch, music, and the original episodes are available on an associated website.
Epic lunacy. (Graphic science fiction. 8-11)Pub Date: May 10, 2022
ISBN: 978-0-06-308408-7
Page Count: 320
Publisher: Katherine Tegen/HarperCollins
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK REVIEW
BOOK REVIEW
Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock”...
The theme of persistence (for better or worse) links four tales of magic, trickery, and near disasters.
Lachenmeyer freely borrows familiar folkloric elements, subjecting them to mildly comical twists. In the nearly wordless “Hip Hop Wish,” a frog inadvertently rubs a magic lamp and finds itself saddled with an importunate genie eager to shower it with inappropriate goods and riches. In the title tale, an increasingly annoyed music-hating witch transforms a persistent minstrel into a still-warbling cow, horse, sheep, goat, pig, duck, and rock in succession—then is horrified to catch herself humming a tune. Athesius the sorcerer outwits Warthius, a rival trying to steal his spells via a parrot, by casting silly ones in Ig-pay Atin-lay in the third episode, and in the finale, a painter’s repeated efforts to create a flattering portrait of an ogre king nearly get him thrown into a dungeon…until he suddenly understands what an ogre’s idea of “flattering” might be. The narratives, dialogue, and sound effects leave plenty of elbow room in Blocker’s big, brightly colored panels for the expressive animal and human(ish) figures—most of the latter being light skinned except for the golden genie, the blue ogre, and several people of color in the “Sorcerer’s New Pet.”
Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock” music. (Graphic short stories. 8-10)Pub Date: June 18, 2019
ISBN: 978-1-59643-750-0
Page Count: 112
Publisher: First Second
Review Posted Online: April 27, 2019
Kirkus Reviews Issue: May 15, 2019
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