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SAINT SPOTTING

OR, HOW TO READ A CHURCH

A charming, light, and personal introduction to saints and their symbolism.

Two-time Caldecott winner Raschka shares his mother’s special way to visit a church: “saint spotting.”

“A church is a weighty thing, isn’t it?” With heavy doors, high ceilings, and stone walls, a church can be an intimidating place for a child. Raschka invites readers to think differently by joining a school-age version of himself and his mother on a personal tour—complete with a painted map. Saint spotting is just what it sounds like: a sort of religious scavenger hunt in which one spots saints by their associated symbols inside a church. Through Raschka’s brief introductions, readers learn about 36 saints and their symbols, including the most important figures of Christianity: Jesus Christ, the Virgin Mary, Saint Joseph, and the Evangelists. Illustrations in broadly stroked watercolor primarily of golden hues boost the book’s warmth and welcoming tone. Beautiful endpapers depict rows of animals, such as doves and lambs, that underscore the book’s biblical nature. The book begins and ends with an illustration of Raschka and his mother, hand in hand, at the entrance of a huge Gothic church with a beautiful stained-glass rose window, the book’s exceptionally narrow trim echoing the verticality of the building. Clearly this was a special shared mother-son childhood experience, and readers will leave feeling like they were just let in on a cherished secret game. Most characters depicted, including the protagonist and his mother, present White, but there are some saints of color.

A charming, light, and personal introduction to saints and their symbolism. (Informational picture book. 4-8)

Pub Date: April 20, 2021

ISBN: 978-0-8028-5521-3

Page Count: 44

Publisher: Eerdmans

Review Posted Online: March 16, 2021

Kirkus Reviews Issue: April 1, 2021

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RED AND GREEN AND BLUE AND WHITE

The true meaning of the holiday season shines here.

Kids teach a valuable lesson about community spirit.

A city block is ablaze with red and green lights for Christmas; one house glows blue and white for Hanukkah. This is where Isaac, a Jewish boy, lives, across the street from best friend Teresa, excitedly preparing for Christmas. They love lighting up their homes in holiday colors. After an antisemitic bigot smashes a window in Isaac’s house, Isaac relights the menorah the next night, knowing if his family doesn’t, it means hiding their Jewishness, which doesn’t “feel right.” Artistic Teresa supports Isaac by drawing a menorah, inscribed to her friend, and placing the picture in her window. What occurs subsequently is a remarkable demonstration of community solidarity for Isaac and his family from everyone, including the media. Galvanized into defiant action against hate, thousands of townspeople display menorahs in windows in residences and public buildings. This quiet, uplifting tale is inspired by an incident that occurred in Billings, Montana, in 1993. Readers will feel heartened at children’s power to influence others to stand up for justice and defeat vile prejudice. The colorful illustrations, rendered digitally with brushes of the artist’s devising, resemble scratch art. Isaac and Teresa are White, and there is some racial diversity among the townspeople; one child is depicted in a wheelchair. An author’s note provides information about the actual event.

The true meaning of the holiday season shines here. (Picture book. 5-8)

Pub Date: Oct. 19, 2021

ISBN: 978-1-64614-087-9

Page Count: 32

Publisher: Levine Querido

Review Posted Online: July 29, 2021

Kirkus Reviews Issue: Sept. 1, 2021

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LIFT-THE-FLAP BIBLE STORIES FOR YOUNG CHILDREN

Younger audiences may be mostly interested in the bonking and stinky parts, but the rudiments are at least in place for...

Ten tales from the Old and New Testaments, with plot points and lessons hidden beneath large, shaped flaps.

Higgins depicts Jesus as a bit larger than those around him but otherwise draws him and the rest of the cast—including angels—with similar-looking round heads, wide-open eyes, slightly crooked beards (on the men), and dark brown or olive skin. Cycling arbitrarily among various tenses, the abbreviated, sanitized, and informally retold episodes begin in “a garden” with the tree, most of Adam and Eve, and the “tricky serpent” who “will trick them” initially hidden beneath die-cut flaps. Lifting the largest reveals the disobedient first couple sporting flashy animal-skin togs and text that promises that “God had a plan to save people from sin.” After Noah boards the “crowded, noisy, and stinky” ark, Moses leads the escape from plague-ridden Egypt (“Frogs and locusts! Yucky sores and flies!”), and “David bonks Goliath.” God’s promise eventually bears fruit with the birth and select miracles of Jesus. In the climactic scene, three distant crosses hide beneath a flap that depicts Jerusalem, while behind a tomb in the foreground an angel literally fizzes with fireworks. Beneath a bush readers see Mary (Magdalen) weeping until the risen Jesus (beneath another bush) gives her a hug: “Go tell the disciples that I am alive!”

Younger audiences may be mostly interested in the bonking and stinky parts, but the rudiments are at least in place for homiletic discussion. (Novelty/religion. 4-6)

Pub Date: Sept. 4, 2018

ISBN: 978-1-5064-4684-4

Page Count: 16

Publisher: Beaming Books

Review Posted Online: July 29, 2018

Kirkus Reviews Issue: Dec. 1, 2018

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