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SWEET WATER

An ambitious but somewhat undercooked southern gothic psychological thriller from first-time author Kline. Cassie Simon is 27, a sculptor living in N.Y.C., working in an art gallery, having an affair with the gallery's owner, a womanizer, when her maternal grandfather dies and inexplicably leaves the Clyde family house and land in Sweet Water, Tennessee, to her. Although Cassie hasn't seen any of the Clydes since she was three—when her mother, Ellen, was killed in a car accident caused by the grandfather, who was drunk behind the wheel—Cassie decides to move down to Sweet Water and get to know her mother's family while she pursues her art. However, the family—Ellen's mother, called Clyde, and a sister named Elaine and a brother Horace—isn't especially glad to see Cassie; they think she's here to resurrect the scandals surrounding her mother's death and the earlier mysterious drowning of a townswoman named Bryce Davies. Naturally, Cassie becomes curious—just as her grandfather hoped she would when he left her the house, which she searches from attic to basement, discovering letters filled with family secrets. In alternating first-person narratives, she and grandmother Clyde, at first archenemies, eventually both come to terms with the fact Cassie's grandfather was not only a drunk but also a womanizer; that Clyde, who for a quarter-century has been suspected of murdering her husband's mistress Bryce, can now be forgiven for having simply rejoiced when Bryce died accidentally; and that Cassie's grandfather, although weak, did not murder his own daughter in revenge for the death of his mistress. Trouble is, the reader already knows all of this long before it's revealed, often awkwardly, in stormy late-night scenes. Meanwhile, Cassie has fallen for her aunt Elaine's adopted son Troy, who in the end takes her away from it all, to live with him in Atlanta. Deus ex machina. Unfortunately, the plot often creaks.

Pub Date: June 1, 1993

ISBN: 0-06-019033-7

Page Count: 288

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1993

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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