A mix of giddy admiration and honest reporting that's as wobbly as a junior skater attempting a triple flip. Brennan, a sports reporter for the Washington Post, organizes her book around the cycle of one competitive year, yet the narrative is all over the place, jumping from quick portraits of various up-and-coming skaters, such as 12-year-old media darling Tara Lipinski, to the effect of AIDS on the skating community, to sometimes fawning, sometimes critical, sometimes informative portraits of stars such as Brian Boitano and Katarina Witt. The chapter focusing on the 1995 US national and world championship competitions has the momentum and drama that show what this book might have been. Here Brennan follows some of the top junior and senior amateur skaters as they fall prey to, or triumph over, the vicissitudes of competition and the prevailing attitudes of judges. One of the most poignant losers is 14-year-old Michelle Kwan, who skated two flawless programs at the World's yet finished in fourth place. ``The only thing Kwan couldn't do in front of the judges was grow up and become sixteen, which is what they were waiting for,'' Brennan sharply concludes. Brennan does convey the upheaval wrought in the skating world by the sport's newfound popularity and notoriety: intense media attention, the lure of big dollars; the rush of agents to cash in on a new group of sports celebrities. But Brennan is much more forgiving than Joan Ryan (Little Girls in Pretty Boxes, p. 542) of those who control the fates of these young athletes. After pointedly reporting the frequent injustice of the judges, Brennan then protests that, after all, they are only human. Ironically, she is harder on the skaters, who divide into good girls and boys (e.g., Kwan, Todd Eldredge) and bad (Nicole Bobek, Christopher Bowman). Best read both Ryan and Brennan for a balanced picture of a grueling yet beautiful sport. (8 pages b&w photos, not seen) (Author tour)
Pub Date: Jan. 1, 1996
ISBN: 0-684-80167-1
Page Count: 320
Publisher: Scribner
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 1995
An absorbing, wide-ranging story of humans’ relationship with the water.
A study of swimming as sport, survival method, basis for community, and route to physical and mental well-being.
For Bay Area writer Tsui (American Chinatown: A People's History of Five Neighborhoods, 2009), swimming is in her blood. As she recounts, her parents met in a Hong Kong swimming pool, and she often visited the beach as a child and competed on a swim team in high school. Midway through the engaging narrative, the author explains how she rejoined the team at age 40, just as her 6-year-old was signing up for the first time. Chronicling her interviews with scientists and swimmers alike, Tsui notes the many health benefits of swimming, some of which are mental. Swimmers often achieve the “flow” state and get their best ideas while in the water. Her travels took her from the California coast, where she dove for abalone and swam from Alcatraz back to San Francisco, to Tokyo, where she heard about the “samurai swimming” martial arts tradition. In Iceland, she met Guðlaugur Friðþórsson, a local celebrity who, in 1984, survived six hours in a winter sea after his fishing vessel capsized, earning him the nickname “the human seal.” Although humans are generally adapted to life on land, the author discovered that some have extra advantages in the water. The Bajau people of Indonesia, for instance, can do 10-minute free dives while hunting because their spleens are 50% larger than average. For most, though, it’s simply a matter of practice. Tsui discussed swimming with Dara Torres, who became the oldest Olympic swimmer at age 41, and swam with Kim Chambers, one of the few people to complete the daunting Oceans Seven marathon swim challenge. Drawing on personal experience, history, biology, and social science, the author conveys the appeal of “an unflinching giving-over to an element” and makes a convincing case for broader access to swimming education (372,000 people still drown annually).
An absorbing, wide-ranging story of humans’ relationship with the water.Pub Date: April 14, 2020
ISBN: 978-1-61620-786-1
Page Count: 288
Publisher: Algonquin
Review Posted Online: Jan. 4, 2020
Kirkus Reviews Issue: Feb. 1, 2020
While the author may attempt to mirror this ideal, the result is less than satisfying and more than a little irritating.
A disjointed debut memoir about how competitive swimming shaped the personal and artistic sensibilities of a respected illustrator.
Through a series of vignettes, paintings and photographs that often have no sequential relationship to each other, Shapton (The Native Trees of Canada, 2010, etc.) depicts her intense relationship to all aspects of swimming: pools, water, races and even bathing suits. The author trained competitively throughout her adolescence, yet however much she loved racing, “the idea of fastest, of number one, of the Olympics, didn’t motivate me.” In 1988 and again in 1992, she qualified for the Olympic trials but never went further. Soon afterward, Shapton gave up competition, but she never quite ended her relationship to swimming. Almost 20 years later, she writes, “I dream about swimming at least three nights a week.” Her recollections are equally saturated with stories that somehow involve the act of swimming. When she speaks of her family, it is less in terms of who they are as individuals and more in context of how they were involved in her life as a competitive swimmer. When she describes her adult life—which she often reveals in disconnected fragments—it is in ways that sometimes seem totally random. If she remembers the day before her wedding, for example, it is because she couldn't find a bathing suit to wear in her hotel pool. Her watery obsession also defines her view of her chosen profession, art. At one point, Shapton recalls a documentary about Olympian Michael Phelps and draws the parallel that art, like great athleticism, is as “serene in aspect” as it is “incomprehensible.”
While the author may attempt to mirror this ideal, the result is less than satisfying and more than a little irritating.Pub Date: July 5, 2012
ISBN: 978-0-399-15817-9
Page Count: 288
Publisher: Blue Rider Press
Review Posted Online: May 6, 2012
Kirkus Reviews Issue: May 15, 2012
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