Epstein writes with intelligence, wit and flair—highly recommended.
Achingly beautiful stories of growing old, searching for meaning and facing death.
Epstein (In a Cardboard Belt!, 2007, etc.) creates his characters with deft strokes. The story that gives the collection its title is one of the author’s most typical, as well as one of his best. Three years earlier the somewhat Prufrockian Dr. A. Jerome Minkoff had lost his wife to Lou Gehrig’s disease, and at a fundraiser for ALS he meets Larissa Friedman, a rich and glamorous widow in similar circumstances. They fall into an energetic affair, and for the first time since his wife’s death Minkoff finds himself contemplating marriage. Larissa has much to offer, especially a gorgeous home in Los Angeles and megabucks—“All the happiness that money could buy.” But at a deep, intuitive level, Minkoff senses this relationship is not going to work. The good doctor is typical of Epstein’s anti-heroes: elderly, lonely, sensitive and looking to make decisions with a modicum of moral integrity. In “The Philosopher and the Checkout Girl,” for instance, a retired professor of analytical philosophy finds a connection with a checkout girl (albeit one pushing 50) that he never experienced with his former academic colleagues. In a neo-Jamesian epiphany the professor belatedly discovers that “he had never known the pleasure of guileless behavior, of saying precisely what he felt and acting on those feelings. He had lived his life at a second, perhaps a third, remove.”
Epstein writes with intelligence, wit and flair—highly recommended.Pub Date: June 14, 2010
ISBN: 978-0-618-72195-5
Page Count: 272
Publisher: Houghton Mifflin
Review Posted Online: Jan. 17, 2011
Kirkus Reviews Issue: March 15, 2010
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
SEEN & HEARD
IN THE NEWS
SEEN & HEARD
A newcomer to watch: fresh, funny, and tough.
Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.
In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.
A newcomer to watch: fresh, funny, and tough.Pub Date: Jan. 1, 2005
ISBN: 0-8021-1788-0
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
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