Inspiringly shows how Maria Tallchief persisted and made her dreams come true.
Maria Tallchief is an American ballet legend, but she came from a humble beginning.
Elizabeth “Betty” Marie Tall Chief grew up on the Osage reservation in northeastern Oklahoma at a time when Osage children were told not to speak their language and to forget their tribal customs even as they enjoyed uncommon wealth due to their reservation’s rich oil deposits. She and her family attended secret powwows, and the songs’ powerful rhythms remained with Betty all her life. After moving to California at 8, she began dance school. Not only was she good at ballet, but she moved ahead academically. But Betty was bullied for her name, so she changed it to one word: Tallchief. Betty “lived and breathed the art of ballet,” listening when her mother offered wise words and encouragement to “dance with all your heart….You shouldn’t just expect a role to be handed to you.” Years later, when she traveled around the world, dancing in famous ballets, she again changed her name from Betty to a variation of her middle name Maria but resisted advice to change her surname, retaining it to honor her family and her Osage identity. Day (Upper Skagit) clearly shows that even as Tallchief became a star in the world of ballet, she never forgot her roots and gives readers necessary history and context to understand their importance. Flint’s black-and-white illustrations excel at depictions of Tallchief in motion.
Inspiringly shows how Maria Tallchief persisted and made her dreams come true. (author's note, bibliography) (Biography. 6-9)Pub Date: Nov. 2, 2021
ISBN: 978-0-593-11580-0
Page Count: 80
Publisher: Philomel
Review Posted Online: Sept. 23, 2021
Kirkus Reviews Issue: Oct. 15, 2021
Blandly inspirational fare made to evoke equally shrink-wrapped responses.
An NBA star pays tribute to the influence of his grandfather.
In the same vein as his Long Shot (2009), illustrated by Frank Morrison, this latest from Paul prioritizes values and character: “My granddad Papa Chilly had dreams that came true,” he writes, “so maybe if I listen and watch him, / mine will too.” So it is that the wide-eyed Black child in the simply drawn illustrations rises early to get to the playground hoops before anyone else, watches his elder working hard and respecting others, hears him cheering along with the rest of the family from the stands during games, and recalls in a prose afterword that his grandfather wasn’t one to lecture but taught by example. Paul mentions in both the text and the backmatter that Papa Chilly was the first African American to own a service station in North Carolina (his presumed dream) but not that he was killed in a robbery, which has the effect of keeping the overall tone positive and the instructional content one-dimensional. Figures in the pictures are mostly dark-skinned. (This book was reviewed digitally.)
Blandly inspirational fare made to evoke equally shrink-wrapped responses. (Picture book. 6-8)Pub Date: Jan. 10, 2023
ISBN: 978-1-250-81003-8
Page Count: 32
Publisher: Roaring Brook Press
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
BOOK REVIEW
Blandly laudatory.
The iconic animator introduces young readers to each “happy place” in his life.
The tally begins with his childhood home in Marceline, Missouri, and climaxes with Disneyland (carefully designed to be “the happiest place on Earth”), but the account really centers on finding his true happy place, not on a map but in drawing. In sketching out his early flubs and later rocket to the top, the fictive narrator gives Ub Iwerks and other Disney studio workers a nod (leaving his labor disputes with them unmentioned) and squeezes in quick references to his animated films, from Steamboat Willie to Winnie the Pooh (sans Fantasia and Song of the South). Eliopoulos incorporates stills from the films into his cartoon illustrations and, characteristically for this series, depicts Disney as a caricature, trademark mustache in place on outsized head even in childhood years and child sized even as an adult. Human figures default to white, with occasional people of color in crowd scenes and (ahistorically) in the animation studio. One unidentified animator builds up the role-modeling with an observation that Walt and Mickey were really the same (“Both fearless; both resourceful”). An assertion toward the end—“So when do you stop being a child? When you stop dreaming”—muddles the overall follow-your-bliss message. A timeline to the EPCOT Center’s 1982 opening offers photos of the man with select associates, rodent and otherwise. An additional series entry, I Am Marie Curie, publishes simultaneously, featuring a gowned, toddler-sized version of the groundbreaking physicist accepting her two Nobel prizes.
Blandly laudatory. (bibliography) (Picture book/biography. 6-8)Pub Date: Sept. 10, 2019
ISBN: 978-0-7352-2875-7
Page Count: 40
Publisher: Dial Books
Review Posted Online: Aug. 17, 2019
Kirkus Reviews Issue: Sept. 1, 2019
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