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MAGDA, STANDING

An impressive first novel that effectively draws on the author’s family story.

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In Kessides’ debut YA historical novel, a young woman confronts xenophobia, her family’s struggles and strictures, the horrors of World War I, and an influenza epidemic.

Pittsburgh resident Magda Augustin is a bright 16-year-old with large ambitions. Unfortunately, her father decrees that she must drop out of high school—and probably give up her college dreams, as well—to take care of her sick mother and toddler brother, Richy. She’s crushed, but she seeks the help of her retired schoolteacher aunts, Minnie and Tillie, who offer not only tutoring, but also wise counsel. The question of the hour in their German enclave is whether the United States will enter the war in Europe; when it finally does, Magda’s brother Fred signs up to fight, as does her brother-in-law, while she volunteers as an assistant nurse with the Red Cross. She’s introduced to Fred’s friend Conrad Hecht, and readers know early on that they’re meant for each other. Between the one-two punch of the war and a flu epidemic, many around Magda don’t survive. But those who do patch together their lives and become stronger for it. Still, it’s a painful spiritual trade-off: “It seemed that if one thought too much about loving someone, they would soon be gone.” Kessides writes in an author’s note that the book was inspired by her own family history as well as the Covid-19 pandemic. Magda is an appealing protagonist, and the book, though told in the third person, presents the character’s sensitive perspective; sometimes she feels sorry for herself, but not for long, and then she feels guilty about it and resolves to do better. Above all, she’s revealed to be resourceful and understanding—a person upon whom no experience is lost. As a result, readers get a good, detailed sense of place as the book explores a brawny town of steel mills and foundries where clear skies were the exception, not the rule: “The usual dirty air had receded a little, allowing the sun to venture out in place of the resident winter gloom.”

An impressive first novel that effectively draws on the author’s family story.

Pub Date: June 13, 2023

ISBN: 9781954805385

Page Count: 380

Publisher: Bold Story Press

Review Posted Online: May 17, 2023

Kirkus Reviews Issue: July 1, 2023

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THE SURVIVOR WANTS TO DIE AT THE END

Raw, delicate, and deeply caring.

When Death-Cast doesn’t call, fate intertwines the lives of two boys, both haunted by their pasts and with futures they can’t escape.

In this third installment of the series that opened with 2017’s They Both Die at the End, Paz Dario waits every night for Death-Cast to call—as it should have for his father nearly 10 years ago, when Paz shot him to save his mother’s life. But the call never comes. Death-Cast killed Paz’s dreams of an acting career: No one will hire him now because the world sees him as a villain. When Paz tries (not for the first time) to put an end to his suffering, an unexpected encounter with Alano Rosa, the heir of Death-Cast, stops him. Both in a place of desperation, Alano and Paz sign a contract to live for Begin Days instead of waiting for their End Days. As suspenseful and emotionally wrenching as the previous titles in the series, this new installment explores heavy themes of abuse, mental health, self-harm, and suicide. Paz grapples with a recent diagnosis of borderline personality disorder. Silvera surrounds Alano and Paz with a web of complex relationships. Although the protagonists fall fast for one another and form a deep connection over Alano’s desire to support Paz, Silvera emphasizes the importance of professional help. Both Alano and Paz have Puerto Rican heritage. The cliffhanger ending promises more to come.

Raw, delicate, and deeply caring. (content warning, resources) (Speculative fiction. 14-18)

Pub Date: May 6, 2025

ISBN: 9780063240858

Page Count: 720

Publisher: Quill Tree Books/HarperCollins

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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