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SAXOPHONE SAM AND HIS SNAZZY JAZZ BAND

Imagination comes to life on a rainy day when voices from an old, presumably jazz-era radio in the attic call to two children who have been driven to stamp-collecting and dressing up the cat by a rainstorm outside. The cajoling, rhyming voices lead the children all through the house, describing their music and providing hints about where to look. The boy and girl look in the kitchen, the bathroom, a bedroom, and up the stairs, until at last they peek into the wooden radio in the dusty attic and spy a veritable jazz festival going on inside. The brightly colored illustrations reflect how close the children are getting, as the musicians take up a progressively increasing amount of the pages, and white swirls of “music” appear, always in just the next room. Despite this clever layout and cheerful colors that attempt to dispel gloom caused by the bad weather outside, the flat, busy spreads, particularly the stylized people, aren’t particularly attractive. The energy of the jazz musicians and dancers who’ve come to life in the radio is contagious, however, and the bouncy rhyme may help to perk up a dull day. (Picture book. 4-8)

Pub Date: Sept. 1, 2002

ISBN: 0-8027-8809-2

Page Count: 32

Publisher: Walker

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 2002

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THE TEMPEST

A must-own adaptation chock-full of such stuff as kids’ dreams are—and will be—made on.

Mirth, magic, and mischief abound in this picture-book retelling of one of Shakespeare’s most famous plays.

Ariel, the beloved sprite whose conjurings precipitate the eponymous tempest, gets top billing in this adaptation and recounts the narrative in the first person. Through Ariel’s eyes, readers are introduced to the powerful Prospero, his lovely daughter, Miranda, and the shipwrecked nobles who are brought to the island to right an ancient wrong. Ellinas’ picture book largely divests the tale of its colonialist underpinnings and breathes three-dimensional complexity into the major and minor characters. Caliban, for instance, is monstrous due to his callous treatment of Ariel rather than because he is racially coded as savage. Another delightful change is the depiction of Miranda, who emerges as an athletic, spirited, and beautiful nature-child whose charms are understandably irresistible to Prince Ferdinand. The text is perfectly matched by Ray’s jaw-droppingly beautiful illustrations, which will enchant readers from the front cover to the final curtain. The greens of the waters and the blues of the island’s night sky are so lush and inviting that readers will wish they could enter the book. Peppered throughout the story are italicized fragments of Shakespeare’s dialogue, giving both young and older readers something to enjoy. Large, granite-colored Caliban is plainly nonhuman; the human characters present white; Ariel is a translucent, paper white.

A must-own adaptation chock-full of such stuff as kids’ dreams are—and will be—made on. (Picture book. 4-8)

Pub Date: April 7, 2020

ISBN: 978-1-5362-1144-3

Page Count: 32

Publisher: Candlewick

Review Posted Online: Nov. 23, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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JOE LOUIS, MY CHAMPION

One of the watershed moments in African-American history—the defeat of James Braddock at the hands of Joe Louis—is here given an earnest picture-book treatment. Despite his lack of athletic ability, Sammy wants desperately to be a great boxer, like his hero, getting boxing lessons from his friend Ernie in exchange for help with schoolwork. However hard he tries, though, Sammy just can’t box, and his father comforts him, reminding him that he doesn’t need to box: Joe Louis has shown him that he “can be the champion at anything [he] want[s].” The high point of this offering is the big fight itself, everyone crowded around the radio in Mister Jake’s general store, the imagined fight scenes played out in soft-edged sepia frames. The main story, however, is so bent on providing Sammy and the reader with object lessons that all subtlety is lost, as Mister Jake, Sammy’s father, and even Ernie hammer home the message. Both text and oil-on-canvas-paper illustrations go for the obvious angle, making the effort as a whole worthy, but just a little too heavy-handed. (Picture book. 5-8)

Pub Date: May 1, 2004

ISBN: 1-58430-161-9

Page Count: 32

Publisher: Lee & Low Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2004

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