Identity issues and mental health crises portrayed with depth and authenticity.
In this graphic memoir, a young biracial woman recalls her complicated emotions when she returns from America to her childhood home in Japan.
Nineteen-year-old Christine is excited to study Japanese in Tokyo, where she lived until age 5. Being “half”—with a Japanese mother and a white American father—has long been a source of pain because it’s been the main lens through which other people, both Asian and white, see her. While leaving Japan made Christine an outsider, she hopes that going back will help her “stop feeling lost” and offer a sense of belonging. She envisions new adventures with new friends, but her excitement is tempered by embarrassment that her Japanese isn’t fluent. Initially Tokyo is thrilling, but even there she despairs of being seen for herself rather than being exoticized. As she’s variously judged to be too Japanese and not Japanese enough, Christine begins to feel alienated and hopeless and slides into depression. Christine’s portrayal is appealing and true to life; Mari captures her fragile emotional state with care and accuracy, and her self-loathing, self-isolation, and endless rumination are brought to life in strikingly realistic ways. The muted light-purple-and-black color palette with occasional pops of color evokes nostalgia and melancholy. The artwork creatively conveys Christine’s experiences, from the Tokyo backdrop to her internal state (such as black scribbles representing the Japanese speech she can’t understand).
Identity issues and mental health crises portrayed with depth and authenticity. (Graphic memoir. 13-18)Pub Date: Oct. 15, 2024
ISBN: 9780316416726
Page Count: 304
Publisher: Little, Brown Ink
Review Posted Online: July 19, 2024
Kirkus Reviews Issue: Aug. 15, 2024
BOOK REVIEW
Small but mighty necessary reading.
A miniature manifesto for radical queer acceptance that weaves together the personal and political.
Eli, a cis gay white Jewish man, uses his own identities and experiences to frame and acknowledge his perspective. In the prologue, Eli compares the global Jewish community to the global queer community, noting, “We don’t always get it right, but the importance of showing up for other Jews has been carved into the DNA of what it means to be Jewish. It is my dream that queer people develop the same ideology—what I like to call a Global Queer Conscience.” He details his own isolating experiences as a queer adolescent in an Orthodox Jewish community and reflects on how he and so many others would have benefitted from a robust and supportive queer community. The rest of the book outlines 10 principles based on the belief that an expectation of mutual care and concern across various other dimensions of identity can be integrated into queer community values. Eli’s prose is clear, straightforward, and powerful. While he makes some choices that may be divisive—for example, using the initialism LGBTQIAA+ which includes “ally”—he always makes clear those are his personal choices and that the language is ever evolving.
Small but mighty necessary reading. (resources) (Nonfiction. 14-18)Pub Date: June 2, 2020
ISBN: 978-0-593-09368-9
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 28, 2020
Kirkus Reviews Issue: April 15, 2020
Though not the most balanced, an enlightening look back for the queer future.
An adaptation for teens of the adult title A Queer History of the United States (2011).
Divided into thematic sections, the text filters LGBTQIA+ history through key figures in each era from the 1500s to the present. Alongside watershed moments like the 1969 Stonewall uprising and the HIV/AIDS crisis of the 1980s and 1990s, the text brings to light less well-known people, places, and events: the 1625 free love colony of Merrymount, transgender Civil War hero Albert D.J. Cashier, and the 1951 founding of the Mattachine Society, to name a few. Throughout, the author and adapter take care to use accurate pronouns and avoid imposing contemporary terminology onto historical figures. In some cases, they quote primary sources to speculate about same-sex relationships while also reminding readers of past cultural differences in expressing strong affection between friends. Black-and-white illustrations or photos augment each chapter. Though it lacks the teen appeal and personable, conversational style of Sarah Prager’s Queer, There, and Everywhere (2017), this textbook-level survey contains a surprising amount of depth. However, the mention of transgender movements and activism—in particular, contemporary issues—runs on the slim side. Whereas chapters are devoted to over 30 ethnically diverse gay, lesbian, bisexual, or queer figures, some trans pioneers such as Christine Jorgensen and Holly Woodlawn are reduced to short sidebars.
Though not the most balanced, an enlightening look back for the queer future. (glossary, photo credits, bibliography, index) (Nonfiction. 14-18)Pub Date: June 11, 2019
ISBN: 978-0-8070-5612-7
Page Count: 336
Publisher: Beacon Press
Review Posted Online: March 12, 2019
Kirkus Reviews Issue: April 15, 2019
BOOK REVIEW
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