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GOYANGI MEANS CAT

A sensitive portrayal of international adoption, authentically and realistically done.

This beautifully illustrated, gentle adoption story stands out from most other treatments of the topic by honestly and reassuringly addressing the loss—of a birth family, a birth culture—inherent in adoption as well as the joy a new family experiences.

Here, Soo Min, a young Korean girl, is adopted by an American couple. Everything seems strange and new: She doesn't speak any English; her adoptive parents know little Korean. She finds comfort with Goyangi ("cat"), who doesn't need language to communicate, whose fur she strokes when afraid and who "licked her hand with his towelly tongue" when she is homesick for Korea. Soft-focus collage-and-paint illustrations show the family members getting to know one another: at the playground, in the library, playing soccer and just spending time at home together. Korean words in hanja (characters) incorporated into the pictures' backgrounds and the presence of Korean words in the Western alphabet interspersed throughout the text make this an excellent choice to share with children like Soo Min; seeing the words in both languages comforts as well as educates. Soo Min's age isn't specified; she looks about 2 or 3, which is older than most Korean children adopted in the United States, but that doesn't take away from the main idea.

A sensitive portrayal of international adoption, authentically and realistically done. (Picture book. 4-7)

Pub Date: May 12, 2011

ISBN: 978-0-670-01179-7

Page Count: 32

Publisher: Viking

Review Posted Online: April 5, 2011

Kirkus Reviews Issue: April 15, 2011

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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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THE WONKY DONKEY

Hee haw.

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The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 28, 2018

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