No triumphs of modern psychiatry on display here, but rather a sympathetic portrait of seriously ill patients that could...
In her residency and now as a professor (Psychiatry and Human Behavior/Warren Alpert Medical School, Brown Univ.) and a hospital inpatient psychiatrist, Montross (Body of Work: Meditations on Mortality from the Human Anatomy Lab, 2007) describes her encounters with patients in crisis, first admitted to emergency rooms and then referred for hospital stays.
The cases are bizarre: a woman repeatedly admitted for swallowing objects—light bulbs, pens, nails; a man who keeps tearing at his skin and hair, spending thousands on treatments to correct his “ugliness”; a woman so able to feign an epileptic seizure that staff feared she might die from status epilepticus; a mother terrified she would kill her infant, so she “hid all the knives.” Montross writes of these encounters with a dramatic flair, ever empathetic but unsparing of occasional negative feelings, fears and frustrations. Diagnosis is not always easy. Even when a patient’s back story reveals plausible causes of illness, there is little therapy can do if the patient is unwilling, given the limitations of insurance and the need to discharge patients once “stabilized.” Oddly, patients afflicted with extreme forms of body dissatisfaction—who want a limb amputated, for example—are “cured” if the surgery takes place. In the absence of cures, Montross offers solace—just being there with a patient. She provides background and current thinking on the particular cases she describes, discusses the legal issues of involuntary treatment and inveighs against academics who see mental illness as one side of creative genius. As an antidote to her daily coping with extreme behaviors, Montross writes serenely of a home life with her family.
No triumphs of modern psychiatry on display here, but rather a sympathetic portrait of seriously ill patients that could guide future practitioners on the art of helping, if not always healing, the sick.Pub Date: Aug. 5, 2013
ISBN: 978-1-59420-393-0
Page Count: 256
Publisher: Penguin Press
Review Posted Online: April 7, 2013
Kirkus Reviews Issue: May 1, 2013
BOOK REVIEW
BOOK REVIEW
PROFILES
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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