Fiery on many levels, Murphy’s uneven debut nonetheless makes her an author to watch.
At a Southern California college campus, rape and sudden death are on the rise.
“If she’s female, start between the legs. Dad taught me that, his hand on mine, the knife between us.” This creepy childhood memory of field-dressing a kill is our introduction to Sarah, protagonist of Murphy’s choppy debut: an uneasy mashup of a druggy campus novel and a feminist revenge thriller, with wildfires blazing and ash raining down in the background. Sarah is about to complete her graduate work in religious studies at the University of California, Santa Teresa; her best friend and party buddy is her classmate Nathan, heir to a pharmaceutical fortune who has taken a vow of celibacy. The UCST campus has a tunnel on whose walls the names of students who have died over the past few academic years are graffitied, continually updated and restored after each official whitewashing. Next to the names are notations: “miss you, love you” and sometimes “rapist.” Just a few pages in, Sarah will have to add Nathan’s name to the list, as she finds him dead in his bed with a needle in his arm. But it’s the wrong arm and the wrong drug, so she suspects foul play. Maybe the student who violently raped her a few years ago, known only as Rapist? Maybe his sidekick, Flopsy, who mouths curses and spits at her whenever he gets the chance? There are many rapes and rapists in this novel, and the theme of rape culture is yoked to a wild horse of a plot that rockets from a visit with Nathan’s ethereal, fabulously wealthy sister, to a data-hunting expedition in a Title IX office, to a job talk at an academic conference, to a bizarre twist near the end that seems like it could be from another book entirely.
Fiery on many levels, Murphy’s uneven debut nonetheless makes her an author to watch.Pub Date: Feb. 25, 2025
ISBN: 9780593801499
Page Count: 288
Publisher: Knopf
Review Posted Online: Nov. 9, 2024
Kirkus Reviews Issue: Dec. 15, 2024
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
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