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HAVOC

A devious and deranged thriller.

Thelma meets The Bad Seed meets The White Lotus in this Covid-19-era tale of an elderly American woman's murderous obsession with a troubled young boy at an Egyptian hotel.

The 81-year-old Maggie Burkhardt left her home in Wisconsin six years ago following the deaths of her husband and daughter. Moving from hotel to hotel, she spent five years in the Alps, where she perfected her unseemly skill at insinuating herself into people's lives to cause the breakup of what she deems bad marriages. "I liberate people who don’t know they’re stuck," says the widow, whose methods include planting false evidence of infidelities and relating false rumors. After both partners in one targeted marriage die—the wife by strangling, the husband by suicide—and suspicions point Maggie's way, she escapes to Luxor and picks up where she left off. Convincing her fellow hotel guests that she is a kindly old lady, she sets her sights on a young American woman, Tess, only to find her hands full with Tess’ psychologically damaged 8-year-old, Otto. He incurs Maggie's wrath with stunts like stealing a precious ribboned lock of her husband's hair and pretending to be her late daughter on the phone. Taking heavy doses of antipsychotic drugs, she becomes determined to kill the boy. Guests who threaten to expose her turn up dead. Others are arrested for crimes they didn't commit. Returning to the setting of his gripping novel The Lost Americans (2023), Bollen takes the art of the unreliable, self-deluded narrator to new heights. Did Maggie really have a happy marriage? Did her family really die? Is she really 81? (All the physical stuff she must do would suggest someone younger.) The ending of the novel is a bit slack, leaving plot strings untied. But it's still a wicked delight.

A devious and deranged thriller.

Pub Date: Dec. 3, 2024

ISBN: 9780063378896

Page Count: 256

Publisher: Harper/HarperCollins

Review Posted Online: Sept. 14, 2024

Kirkus Reviews Issue: Oct. 15, 2024

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IT STARTS WITH US

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

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The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.

Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

Pub Date: Oct. 18, 2022

ISBN: 978-1-668-00122-6

Page Count: 352

Publisher: Atria

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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HERE ONE MOMENT

A fresh, funny, ambitious, and nuanced take on some of our oldest existential questions. Cannot wait for the TV series.

What would you do if you knew when you were going to die?

In the first page and a half of her latest page-turner, bestselling Australian author Moriarty introduces a large cast of fascinating characters, all seated on a flight to Sydney that’s delayed on the tarmac. There’s the “bespectacled hipster” with his arm in a cast; a very pregnant woman; a young mom with a screaming infant and a sweaty toddler; a bride and groom, still in their wedding clothes; a surly 6-year-old forced to miss a laser-tag party; a darling elderly couple; a chatty tourist pair; several others. No one even notices the woman who will later become a household name as the “Death Lady” until she hops up from her seat and begins to deliver predictions to each of them about the age they’ll be when they die and the cause of their deaths. Age 30, assault, for the hipster. Age 7, drowning, for the baby in arms. Age 43, workplace accident, for a 42-year-old civil engineer. Self-harm, age 28, for the lovely flight attendant, who is that day celebrating her 28th birthday. Over the next 126 chapters (some just a paragraph), you will get to know all these people, and their reactions to the news of their demise, very well. Best of all, you will get to know Cherry Lockwood, the Death Lady, and the life that brought her to this day. Is it true, as she repeatedly intones on the plane, that “fate won’t be fought”? Does this novel support the idea that clairvoyance is real? Does it find a means to logically dismiss the whole thing? Or is it some complex amalgam of these possibilities? Sorry, you won’t find that out here, and in fact not until you’ve turned all 500-plus pages. The story is a brilliant, charming, and invigorating illustration of its closing quote from Elisabeth Kübler-Ross (we’re not going to spill that either).

A fresh, funny, ambitious, and nuanced take on some of our oldest existential questions. Cannot wait for the TV series.

Pub Date: Sept. 10, 2024

ISBN: 9780593798607

Page Count: 512

Publisher: Crown

Review Posted Online: June 15, 2024

Kirkus Reviews Issue: July 15, 2024

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