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NOIR

A frantically comic tale of guys and dolls that shoots and just misses.

A regular joe stirs up a whole pot of trouble when he meets a damsel in distress.

Renowned satirist Moore (Secondhand Souls, 2015, etc.) offers up a soft-boiled take on the hard-boiled tradition personified by the likes of Dashiell Hammet and Raymond Chandler in this messy, comic mystery that often goes off the rails. The book does offer a fascinating setting in San Francisco circa 1947, a throwback to a city the author clearly knows and loves. Our palooka of a protagonist is Sammy “Two Toes” Tiffin, a partially lame grifter who tends bar at Sal’s Saloon between various schemes. Sammy gets more than he bargained for when a spectacular blonde “tasty bit of trouble” named Stilton wanders into his joint. Before you know it, Sammy has the hots for “the Cheese,” a jones that brings him all manner of trouble. The book employs no end of snappy dialogue straight out of a Jimmy Cagney movie, but the device can’t save it from its meandering, distracted plot. In addition to the Cheese, we meet General Remy, a conspiring bureaucrat on leave from Roswell Army Air Field; “The Kid,” a profane rug rat Sammy employs from time to time; Eddie Moo Shoes, Sammy’s entree into Chinatown’s underworld; Lone Jones, a good-natured boxer who insists he’s not black; a dirty cop named Pookie O’Hara; and an assorted mix of gangsters, cabbies, drag queens, and other denizens of San Francisco. Moore’s introduction of an interrupting, semiomniscient second narrator between Sammy’s first-person tale can be jarring, even if it is explained late in the book. The novel finally coalesces in its back half as Sammy invades a shady cabal called the Bohemian Club to rescue the Cheese, pretty much from herself, and they both get a surprise when they run across General Remy’s secret, all while being chased by mysterious “men in black.” What results is a kindred spirit to Richard Brautigan’s Dreaming of Babylon: A Private Eye Novel 1942 (1977).

A frantically comic tale of guys and dolls that shoots and just misses.

Pub Date: April 17, 2018

ISBN: 978-0-06-243397-8

Page Count: 352

Publisher: Morrow/HarperCollins

Review Posted Online: Feb. 5, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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DARK MATTER

Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.

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A man walks out of a bar and his life becomes a kaleidoscope of altered states in this science-fiction thriller.

Crouch opens on a family in a warm, resonant domestic moment with three well-developed characters. At home in Chicago’s Logan Square, Jason Dessen dices an onion while his wife, Daniela, sips wine and chats on the phone. Their son, Charlie, an appealing 15-year-old, sketches on a pad. Still, an undertone of regret hovers over the couple, a preoccupation with roads not taken, a theme the book will literally explore, in multifarious ways. To start, both Jason and Daniela abandoned careers that might have soared, Jason as a physicist, Daniela as an artist. When Charlie was born, he suffered a major illness. Jason was forced to abandon promising research to teach undergraduates at a small college. Daniela turned from having gallery shows to teaching private art lessons to middle school students. On this bracing October evening, Jason visits a local bar to pay homage to Ryan Holder, a former college roommate who just received a major award for his work in neuroscience, an honor that rankles Jason, who, Ryan says, gave up on his career. Smarting from the comment, Jason suffers “a sucker punch” as he heads home that leaves him “standing on the precipice.” From behind Jason, a man with a “ghost white” face, “red, pursed lips," and "horrifying eyes” points a gun at Jason and forces him to drive an SUV, following preset navigational directions. At their destination, the abductor forces Jason to strip naked, beats him, then leads him into a vast, abandoned power plant. Here, Jason meets men and women who insist they want to help him. Attempting to escape, Jason opens a door that leads him into a series of dark, strange, yet eerily familiar encounters that sometimes strain credibility, especially in the tale's final moments.

Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.

Pub Date: July 26, 2016

ISBN: 978-1-101-90422-0

Page Count: 352

Publisher: Crown

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: May 15, 2016

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