Eragon continues his Rider training in this dense sequel. After the epic battle at Farthen Dûr, Eragon travels to the elven city Ellesméra to complete his magical education. There he learns from Oromis and Glaedr, a wounded Rider and his dragon who have been hidden for years, ever since Galbatorix overthrew the old order and slew the Riders. Meanwhile, inhuman servants of Galbatorix have invaded Eragon’s home village Carvahall, hoping to capture Eragon’s cousin Roran. Roran leads the villagers to join the Varden rebellion against Galbatorix’s tyranny. Another epic battle concludes the story and brings the cousins together just in time for a revelation of dark secrets. Suffused with purple prose and faux-archaic language, this patchwork of dialogue, characters and concepts pulled whole cloth from the fantasy canon holds together remarkably well. Dramatic tension is maintained through the interweaving of Eragon’s and Roran’s adventures, though too much time is spent on the details of Eragon’s training. Derivative but exciting. (Fantasy. 12-15)
Pub Date: Aug. 23, 2005
ISBN: 0-375-82670-X
Page Count: 704
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2005
BOOK TO SCREEN
SEEN & HEARD
Despite the stale fat-to-curvy pattern, compelling world building with a Southern European, pseudo-Christian feel,...
Adventure drags our heroine all over the map of fantasyland while giving her the opportunity to use her smarts.
Elisa—Princess Lucero-Elisa de Riqueza of Orovalle—has been chosen for Service since the day she was born, when a beam of holy light put a Godstone in her navel. She's a devout reader of holy books and is well-versed in the military strategy text Belleza Guerra, but she has been kept in ignorance of world affairs. With no warning, this fat, self-loathing princess is married off to a distant king and is embroiled in political and spiritual intrigue. War is coming, and perhaps only Elisa's Godstone—and knowledge from the Belleza Guerra—can save them. Elisa uses her untried strategic knowledge to always-good effect. With a character so smart that she doesn't have much to learn, body size is stereotypically substituted for character development. Elisa’s "mountainous" body shrivels away when she spends a month on forced march eating rat, and thus she is a better person. Still, it's wonderfully refreshing to see a heroine using her brain to win a war rather than strapping on a sword and charging into battle.
Despite the stale fat-to-curvy pattern, compelling world building with a Southern European, pseudo-Christian feel, reminiscent of Naomi Kritzer's Fires of the Faithful (2002), keeps this entry fresh. (Fantasy. 12-14)Pub Date: Sept. 1, 2011
ISBN: 978-0-06-202648-4
Page Count: 432
Publisher: Greenwillow Books
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
Visually stunning but there are many better—because they are less rigidly traditional—versions around.
A stately rendition of the Arthurian legend, garbed in sumptuous dress.
With much use of rich golden tones and his customary fanatical attention to detail, Riddell fills every available space, from page corners to broad pictorial borders and wordless full spreads, with grave knights in extravagant full armor, slender damsels and crones in flowing silks, luxuriant castles and chambers, and frighteningly bestial giants and other monsters. Crossley-Holland’s retelling of the Matter of Britain is less impressive, though he does cover the main Christian-inflected storyline (with a few additions, such as the tale of Gawain and the Green Knight). By adding care for the Earth as a knightly task, he introduces a contemporary note. But the women are still malign witches, flighty incompetents, or temptresses—and along with having Sir Lancelot mansplain early on that “women are the same as us, but different” (“Strange creatures,” says Sir Tristram. “Their feelings are so strong,” whines Sir Geraint), the author doubles down later by mystically declaring that the Holy Grail is actually Mary, at once male and female. But if the sex all takes place behind euphemisms or closed doors, at least, there is much rousingly explicit gore in narrative and visuals, and both Arthur and the annoyingly all-knowing Merlin wind up as properly available for return comings. Some of the Round Table knights, such as Sir Lamorak, are depicted with brown skin.
Visually stunning but there are many better—because they are less rigidly traditional—versions around. (Illustrated fantasy. 12-15)Pub Date: April 11, 2023
ISBN: 978-1-5362-1265-5
Page Count: 240
Publisher: Candlewick Studio
Review Posted Online: Jan. 11, 2023
Kirkus Reviews Issue: Feb. 1, 2023
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