This extraordinary new picture book masterfully tackles the complex task of contextualizing seemingly complex architectural...
Hale turns her educated eye to modern and contemporary architecture and produces a book that is at once groundbreaking, child-friendly and marvelously inclusive.
With a celebratory tone, Hale cleverly structures this unusual picture book by matching a series of lively concrete poems and vignettes of young children at play (creating simple structures of all types) with carefully selected photos of complementary, emblematic 20th- and 21st-century structures. Mud pies are compared to Hassan Fathy’s all-earthen New Gourna Village (Luxor, Egypt); beachfront sand castles to Antoni Gaudí’s soaring La Sagrada Família Basilica (Barcelona, Spain); busy LEGO® projects with Moshe Safdie’s modular Habitat 67 housing (Montréal, Québec); cardboard-tube models to Shigeru Ban’s amazing Paper Tube School (Sichuan Provence, China); tongue-depressor/Popsicle-stick and white-glue crafts with the vertical slats of David Adjaye’s Sclera Pavilion (London, England); and the “soft forms / tumble making / ever-changing / caverns, secret spaces” of pillow forts with Frank Gehry’s curvilinear Guggenheim (Bilbao, Spain). Well-organized and accessible backmatter contains the photo, name and location of each of the 15 highlighted structures, a brief biography of and a telling quote from each structure’s architect, and Hale’s own portrait of each designer.
This extraordinary new picture book masterfully tackles the complex task of contextualizing seemingly complex architectural concepts within a child’s own world of play. (Informational picture book/poetry. 2-8)Pub Date: Oct. 1, 2012
ISBN: 978-1-60060-651-9
Page Count: 40
Publisher: Lee & Low Books
Review Posted Online: Aug. 21, 2012
Kirkus Reviews Issue: Sept. 15, 2012
A lushly illustrated homage to librarians who provide a welcome and a home away from home for all who enter.
A love letter to libraries.
A Black child, with hair in two puffballs tied with yellow ribbons, a blue dress with a Peter Pan collar, and black patent leather Mary Janes, helps Grandmother with the housework, then, at Grandmother’s suggestion, heads to the library. The child’s eagerness to go, with two books under an arm and one in their hand, suggests that this is a favorite destination. The books’ wordless covers emphasize their endless possibilities. The protagonist’s description of the library makes clear that they are always free to be themselves there—whether they feel happy or sad, whether they’re reading mysteries or recipes, and whether they feel “quick and smart” or “contained and cautious.” Robinson’s vibrant, carefully composed digital illustrations, with bright colors that invite readers in and textures and patterns in every image, effectively capture the protagonist’s passion for reading and appreciation for a space where they feel accepted regardless of disposition. In her author’s note, Giovanni states that she spent summers visiting her grandmother in Knoxville, Tennessee, where she went to the Carnegie Branch of the Lawson McGhee Library. She expresses gratitude for Mrs. Long, the librarian, who often traveled to the main library to get books that Giovanni could not find in their segregated branch. (This book was reviewed digitally.)
A lushly illustrated homage to librarians who provide a welcome and a home away from home for all who enter. (Picture book. 4-7)Pub Date: Sept. 27, 2022
ISBN: 978-0-358-38765-7
Page Count: 32
Publisher: Versify/HarperCollins
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
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While there are many rhyming truck books out there, this stands out for being a collection of poems.
Rhyming poems introduce children to anthropomorphized trucks of all sorts, as well as the jobs that they do.
Adorable multiethnic children are the drivers of these 16 trucks—from construction equipment to city trucks, rescue vehicles and a semi—easily standing in for readers, a point made very clear on the final spread. Varying rhyme schemes and poem lengths help keep readers’ attention. For the most part, the rhymes and rhythms work, as in this, from “Cement Mixer”: “No time to wait; / he can’t sit still. / He has to beg your pardon. / For if he dawdles on the way, / his slushy load will harden.” Slonim’s trucks each sport an expressive pair of eyes, but the anthropomorphism stops there, at least in the pictures—Vestergaard sometimes takes it too far, as in “Bulldozer”: “He’s not a bully, either, / although he’s big and tough. / He waits his turn, plays well with friends, / and pushes just enough.” A few trucks’ jobs get short shrift, to mixed effect: “Skid-Steer Loader” focuses on how this truck moves without the typical steering wheel, but “Semi” runs with a royalty analogy and fails to truly impart any knowledge. The acrylic-and-charcoal artwork, set against white backgrounds, keeps the focus on the trucks and the jobs they are doing.
While there are many rhyming truck books out there, this stands out for being a collection of poems. (Picture book/poetry. 3-6)Pub Date: Aug. 27, 2013
ISBN: 978-0-7636-5078-0
Page Count: 32
Publisher: Candlewick
Review Posted Online: May 28, 2013
Kirkus Reviews Issue: June 15, 2013
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