by Christy Hale ; illustrated by Christy Hale ‧ RELEASE DATE: May 22, 2018
The die cuts dividing water from land are vulnerable to little hands, but their value more than delivers.
As the subtitle indicates, Hale contrasts five water forms with five landforms in her minimalist informational picture book.
On the verso of the first double-page spread, a child revels in a windy swirl of falling maple leaves against a butter-yellow background, while on the recto another lounges in a boat on a small, clear blue body of water. The word “lake” is printed in boldface type above that body of water, the color precisely matching that of the water. Turning the page, readers see the lake is actually a die cut: the lake-shaped hole from the previous page is now an island-shaped hole, filled in with the yellow background from the previous spread. The word “island” sits underneath, its color matching the sands of the landform it represents. Hale’s art is playful and appealing but never overwhelming or distracting as she uses the die cuts and precise color to establish unmistakable visual connections. A diversity of skin tones and implied genders are included in each spread, although there is no diversity of body shape nor visual hints at disability. Logically, the concepts depend on forms where land and water meet: lake and island, bay and cape, strait and isthmus, system of lakes and archipelago, gulf and peninsula. An end foldout provides a map, form definitions, and example locations across the globe.
The die cuts dividing water from land are vulnerable to little hands, but their value more than delivers. (Informational picture book. 4-8)Pub Date: May 22, 2018
ISBN: 978-1-250-15244-2
Page Count: 32
Publisher: Neal Porter/Roaring Brook
Review Posted Online: March 3, 2018
Kirkus Reviews Issue: March 15, 2018
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by Kimberly Derting & Shelli R. Johannes ; illustrated by Vashti Harrison ‧ RELEASE DATE: June 19, 2018
A good introduction to observation, data, and trying again.
Cece loves asking “why” and “what if.”
Her parents encourage her, as does her science teacher, Ms. Curie (a wink to adult readers). When Cece and her best friend, Isaac, pair up for a science project, they choose zoology, brainstorming questions they might research. They decide to investigate whether dogs eat vegetables, using Cece’s schnauzer, Einstein, and the next day they head to Cece’s lab (inside her treehouse). Wearing white lab coats, the two observe their subject and then offer him different kinds of vegetables, alone and with toppings. Cece is discouraged when Einstein won’t eat them. She complains to her parents, “Maybe I’m not a real scientist after all….Our project was boring.” Just then, Einstein sniffs Cece’s dessert, leading her to try a new way to get Einstein to eat vegetables. Cece learns that “real scientists have fun finding answers too.” Harrison’s clean, bright illustrations add expression and personality to the story. Science report inserts are reminiscent of The Magic Schoolbus books, with less detail. Biracial Cece is a brown, freckled girl with curly hair; her father is white, and her mother has brown skin and long, black hair; Isaac and Ms. Curie both have pale skin and dark hair. While the book doesn’t pack a particularly strong emotional or educational punch, this endearing protagonist earns a place on the children’s STEM shelf.
A good introduction to observation, data, and trying again. (glossary) (Picture book. 5-8)Pub Date: June 19, 2018
ISBN: 978-0-06-249960-8
Page Count: 40
Publisher: Greenwillow Books
Review Posted Online: March 26, 2018
Kirkus Reviews Issue: April 15, 2018
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by Kimberly Derting & Shelli R. Johannes ; illustrated by Joelle Murray
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by Amy Cherrix ; illustrated by Chris Sasaki ‧ RELEASE DATE: Sept. 7, 2021
An arguable error of omission and definite errors of commission sink this otherwise attractive effort.
A look at the unique ways that 11 globe-spanning animal species construct their homes.
Each creature garners two double-page spreads, which Cherrix enlivens with compelling and at-times jaw-dropping facts. The trapdoor spider constructs a hidden burrow door from spider silk. Sticky threads, fanning from the entrance, vibrate “like a silent doorbell” when walked upon by unwitting insect prey. Prairie dogs expertly dig communal burrows with designated chambers for “sleeping, eating, and pooping.” The largest recorded “town” occupied “25,000 miles and housed as many as 400 million prairie dogs!” Female ants are “industrious insects” who can remove more than a ton of dirt from their colony in a year. Cathedral termites use dirt and saliva to construct solar-cooled towers 30 feet high. Sasaki’s lively pictures borrow stylistically from the animal compendiums of mid-20th-century children’s lit; endpapers and display type elegantly suggest the blues of cyanotypes and architectural blueprints. Jarringly, the lead spread cheerfully extols the prowess of the corals of the Great Barrier Reef, “the world’s largest living structure,” while ignoring its accelerating, human-abetted destruction. Calamitously, the honeybee hive is incorrectly depicted as a paper-wasps’ nest, and the text falsely states that chewed beeswax “hardens into glue to shape the hive.” (This book was reviewed digitally.)
An arguable error of omission and definite errors of commission sink this otherwise attractive effort. (selected sources) (Informational picture book. 5-8)Pub Date: Sept. 7, 2021
ISBN: 978-1-5344-5625-9
Page Count: 56
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: July 5, 2021
Kirkus Reviews Issue: Aug. 1, 2021
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