Another compelling version of an inspiring story.
Ten-year-old Olemaun describes her return from two years at the outsiders’ school and her slow re-entry into her family’s Inuit world.
When Olemaun (co-author Pokiak-Fenton) returns to her family, both her mother and her father’s dogs fail to recognize her. She’s grown tall and skinny, her hair has been cut short, she has a different smell. She no longer understands the family’s language and finds the food inedible. Her best friend isn’t allowed to play with her anymore. Appropriately for the young audience, the authors deal gently with the child’s trauma, showing how, in every case, things get better. The skills Olemaun acquired at school help her nurse a puppy she mistakenly kept too long from its mother. And, she learns to drive a dog sled, making her own mother proud. As they did with Margaret’s boarding school years in When I Was Eight (2013), the authors have distilled the years covered in A Stranger at Home (2011) into a moving picture book. The first-person narrative is set against Grimard’s dramatic paintings, which depict family members shown in close-ups and wide-angle views that take in the dramatic scenery of northern Canada. The sky colors are particularly effective—the varying blues and orange of day and the reds and greens of the nighttime northern lights.
Another compelling version of an inspiring story. (Picture book/biography. 5-9)Pub Date: July 1, 2014
ISBN: 978-1-55451-624-7
Page Count: 36
Publisher: Annick Press
Review Posted Online: May 27, 2014
Kirkus Reviews Issue: June 15, 2014
Innocuous adventuring on the smallest of scales.
The Mouse and the Motorcycle (1965) upgrades to The Mice and the Rolls-Royce.
In Windsor Castle there sits a “dollhouse like no other,” replete with working plumbing, electricity, and even a full library of real, tiny books. Called Queen Mary’s Dollhouse, it also plays host to the Whiskers family, a clan of mice that has maintained the house for generations. Henry Whiskers and his cousin Jeremy get up to the usual high jinks young mice get up to, but when Henry’s little sister Isabel goes missing at the same time that the humans decide to clean the house up, the usually bookish big brother goes on the adventure of his life. Now Henry is driving cars, avoiding cats, escaping rats, and all before the upcoming mouse Masquerade. Like an extended version of Beatrix Potter’s The Tale of Two Bad Mice (1904), Priebe keeps this short chapter book constantly moving, with Duncan’s peppy art a cute capper. Oddly, the dollhouse itself plays only the smallest of roles in this story, and no factual information on the real Queen Mary’s Dolls’ House is included at the tale’s end (an opportunity lost).
Innocuous adventuring on the smallest of scales. (Fantasy. 6-8)Pub Date: Jan. 3, 2017
ISBN: 978-1-4814-6575-5
Page Count: 144
Publisher: Aladdin
Review Posted Online: Sept. 18, 2016
Kirkus Reviews Issue: Oct. 1, 2016
Celebrated collaborators deliver another thoughtful delight, revealing how “making marks” links us across time and space.
The light-skinned, redheaded narrator journeys alone as flight attendants supply snacks to diverse, interspecies passengers. The kid muses, “Sometimes they ask me, ‘Why are you always going to the farthest planet?’ ”The response comes after the traveler hurtles through the solar system, lands, and levitates up to the platform where a welcoming grandmother waits: “Because it’s worth it / to cross one universe / to explore another.” Indeed, child and grandmother enter an egg-shaped, clear-domed orb and fly over a teeming savanna and a towering waterfall before disembarking, donning headlamps, and entering a cave. Inside, the pair marvel at a human handprint and ancient paintings of animals including horses, bison, and horned rhinoceroses. Yockteng’s skilled, vigorously shaded pictures suggest references to images found in Lascaux and Chauvet Cave in France. As the holiday winds down, grandmother gives the protagonist some colored pencils that had belonged to grandfather generations back. (She appears to chuckle over a nude portrait of her younger self.) The pencils “were good for making marks on paper. She gave me that too.” The child draws during the return trip, documenting the visit and sights along the journey home. “Because what I could see was infinity.” (This book was reviewed digitally with 9.8-by-19.6-inch double-page spreads viewed at 85% of actual size.)
Celebrated collaborators deliver another thoughtful delight, revealing how “making marks” links us across time and space. (Picture book. 5-9)Pub Date: Oct. 27, 2020
ISBN: 978-1-77306-172-6
Page Count: 52
Publisher: Groundwood
Review Posted Online: Sept. 14, 2020
Kirkus Reviews Issue: Oct. 1, 2020
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