Entertaining in a spontaneous, distracting way. When it ends, though, and Klosterman slams shut the door to his head, most...
A transcontinental road trip mostly along the byways and back roads of Spin magazine writer Klosterman’s own head, resulting in an enjoyable, polyphonic interior monologue.
Early on, you get the warning: this will have all the earmarks of a “reliance on self-indulgent, postmodern self-awareness” as Klosterman (Sex, Drugs, and Cocoa Puffs, 2003, etc.) fields an assignment to visit the death sites of a number of rock ’n’ rollers, an odyssey that could yield some insight as to why death equals credibility and bestows messianic qualities in the world of rock, or why the greatest career move any musician can make is to stop breathing. And Klosterman does get around to taking a stab at the question—it says more about the fans than the artists—but he is chiefly interested in himself (though, happily, not in love with himself), engaging in extended riffs on his likes and dislikes in music and, most captivatingly, on the pathos of his love life (chimes of High Fidelity here, but readers will know that Klosterman has actually felt the sting, again and again). His brash honesty—“your entire existence as a rock critic is built around the process of reviewing your mail”—is shown both by an easeful descriptive talent as he drives from town to town, seeking the last place Duane Allman and Lynyrd Skynyrd, Kurt Cobain and Holly-Valens-Bopper saw the light of day, and by slices of dark humor (as when his sister accidentally hit a cow with her car “and the old sleepy-eyed heifer went down like Frazier getting tagged by Foreman”). He can also be exasperatingly logorrheic, but road-trippers are on a ramble, after all.
Entertaining in a spontaneous, distracting way. When it ends, though, and Klosterman slams shut the door to his head, most of what went before melts into air.Pub Date: July 19, 2005
ISBN: 0-7432-6445-2
Page Count: 256
Publisher: Scribner
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2005
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
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