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MOCKINGBIRD

From the Miriam Black series , Vol. 2

Lurid but wildly entertaining urban horror that falls somewhere between Flowers in the Attic and Joe Hill.

Wendig ups the ante in this second novel about a psychic girl pitted against dark forces, malevolent humans, and the twisty nature of fate.

If readers were intrigued by the introduction of acid-tongued, supernaturally gifted Miriam Black in Wendig’s last novel, this book will really sink its teeth into them. She’s recovering after the traumatic events of Blackbirds (2015), holed up in an old Airstream trailer owned by the truck driver who saved her life. But she’s getting itchy, and the visions she’s having of a dark entity she calls “The Trespasser” aren’t helping. Eventually she’s introduced to Katey, an English teacher at an exclusive all-girls prep school. Katey thinks she’s dying, and Miriam quickly confirms this truth. But when she accidentally bumps into young Lauren “Wren” Martin, a much darker vision occurs to Miriam. “Here’s the poop, little bird,” she says. “I have this power. Like a psychic power? Except not your everyday psychic hoodoo. I can’t levitate shit, I wouldn’t know palm reading from a pile of donkey guts, and tarot cards weird me out a little. But what I can do is touch a person and see how they’re going to die. I saw how you’re going to die. And I don’t want that to happen.” With each turn of the screw, the book pushes readers deeper into the dysfunction of a small town and ratchets up the horror, both paranormal and startlingly human. As before, Miriam isn’t for everyone; she’s extremely profane, her creator absolutely punishes her physically, and she’s not exactly someone to root for. But it’s apparent that Wendig is getting more skilled at his craft here, using better characterization and the same whiplash prose to carve out a story that is not only creepier and equally as propulsive, but is also pushing its heroine toward even worse events in future installments.

Lurid but wildly entertaining urban horror that falls somewhere between Flowers in the Attic and Joe Hill.

Pub Date: Oct. 20, 2015

ISBN: 978-1-4814-5700-2

Page Count: 336

Publisher: Saga/Simon & Schuster

Review Posted Online: July 28, 2015

Kirkus Reviews Issue: Aug. 15, 2015

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THE HOUSE IN THE CERULEAN SEA

A breezy and fun contemporary fantasy.

A tightly wound caseworker is pushed out of his comfort zone when he’s sent to observe a remote orphanage for magical children.

Linus Baker loves rules, which makes him perfectly suited for his job as a midlevel bureaucrat working for the Department in Charge of Magical Youth, where he investigates orphanages for children who can do things like make objects float, who have tails or feathers, and even those who are young witches. Linus clings to the notion that his job is about saving children from cruel or dangerous homes, but really he’s a cog in a government machine that treats magical children as second-class citizens. When Extremely Upper Management sends for Linus, he learns that his next assignment is a mission to an island orphanage for especially dangerous kids. He is to stay on the island for a month and write reports for Extremely Upper Management, which warns him to be especially meticulous in his observations. When he reaches the island, he meets extraordinary kids like Talia the gnome, Theodore the wyvern, and Chauncey, an amorphous blob whose parentage is unknown. The proprietor of the orphanage is a strange but charming man named Arthur, who makes it clear to Linus that he will do anything in his power to give his charges a loving home on the island. As Linus spends more time with Arthur and the kids, he starts to question a world that would shun them for being different, and he even develops romantic feelings for Arthur. Lambda Literary Award–winning author Klune (The Art of Breathing, 2019, etc.) has a knack for creating endearing characters, and readers will grow to love Arthur and the orphans alongside Linus. Linus himself is a lovable protagonist despite his prickliness, and Klune aptly handles his evolving feelings and morals. The prose is a touch wooden in places, but fans of quirky fantasy will eat it up.

A breezy and fun contemporary fantasy.

Pub Date: March 17, 2020

ISBN: 978-1-250-21728-8

Page Count: 352

Publisher: Tor

Review Posted Online: Nov. 10, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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THE SOUTHERN BOOK CLUB'S GUIDE TO SLAYING VAMPIRES

Fans of smart horror will sink their teeth into this one.

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  • New York Times Bestseller


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Things are about to get bloody for a group of Charleston housewives.

In 1988, the scariest thing in former nurse Patricia Campbell’s life is showing up to book club, since she hasn’t read the book. It’s hard to get any reading done between raising two kids, Blue and Korey, picking up after her husband, Carter, a psychiatrist, and taking care of her live-in mother-in-law, Miss Mary, who seems to have dementia. It doesn’t help that the books chosen by the Literary Guild of Mt. Pleasant are just plain boring. But when fellow book-club member Kitty gives Patricia a gloriously trashy true-crime novel, Patricia is instantly hooked, and soon she’s attending a very different kind of book club with Kitty and her friends Grace, Slick, and Maryellen. She has a full plate at home, but Patricia values her new friendships and still longs for a bit of excitement. When James Harris moves in down the street, the women are intrigued. Who is this handsome night owl, and why does Miss Mary insist that she knows him? A series of horrific events stretches Patricia’s nerves and her Southern civility to the breaking point. (A skin-crawling scene involving a horde of rats is a standout.) She just knows James is up to no good, but getting anyone to believe her is a Sisyphean feat. After all, she’s just a housewife. Hendrix juxtaposes the hypnotic mundanity of suburbia (which has a few dark underpinnings of its own) against an insidious evil that has taken root in Patricia’s insular neighborhood. It’s gratifying to see her grow from someone who apologizes for apologizing to a fiercely brave woman determined to do the right thing—hopefully with the help of her friends. Hendrix (We Sold Our Souls, 2018, etc.) cleverly sprinkles in nods to well-established vampire lore, and the fact that he’s a master at conjuring heady 1990s nostalgia is just the icing on what is his best book yet.

Fans of smart horror will sink their teeth into this one.

Pub Date: April 7, 2020

ISBN: 978-1-68369-143-3

Page Count: 400

Publisher: Quirk Books

Review Posted Online: Jan. 12, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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