A grade-A, weirdly comforting, and familiar stew of domestic drama, slasher horror, and primeval evil.
A family that's banished itself to the woods of rural Pennsylvania finds more than they bargained for when supernatural forces decide they would make quite a snack.
Prolific and delightfully profane, Wendig pulled off a good trick last time with his sprawling, inventive, and prescient apocalypse chronicle, Wanderers (2019). This is another doorstopper, but here he returns to macabre horror reminiscent of his supernatural Miriam Black novels, injected with a juicy dose of Stephen King–like energy. An eerie opening introduces Edmund Walker Reese, a serial killer strapped into Pennsylvania’s electric chair circa 1990 for murdering four girls—a killer who disappears the second the switch is flipped. In the present day, former Philly cop Nate Graves is stewing over the death of his abusive father, who's left him a home in the woods. Maddie, Nate’s artist wife, thinks it’s perfect for her work, not to mention a natural refuge for their hypersensitive son, Oliver, who's imbued with not only a preternatural empathy for others, but also a gift for lending the pained some solace. At Nate's new job as a Fish and Game officer, his partner, Axel Figeroa, always has one eye open for trouble because of their proximity to Ramble Rocks, where Reese committed his dirty deeds, as does the Graves' neighbor Jed Homackie, a whiskey-drinking peacenik with secrets of his own. As happens, things get weird. Nate starts seeing his dead father around every corner. Maddie experiences fugue states that aren’t simpatico with her newfound predilection for chainsaw sculpture. Oliver gets the worst of it, finding himself caught between a couple of vicious bullies and a newfound frenemy, Jake, who quickly emerges as someone—or something—far darker than he appears. The characters are eccentric and likable even if their plight isn’t quite unpredictable, and the book will be catnip to horror fans, complete with meddling kids, doppelgangers, dimensional fissures, demons, and ghosts; it's a prototypical edge-of-your-seat plunge into real terror.
A grade-A, weirdly comforting, and familiar stew of domestic drama, slasher horror, and primeval evil.Pub Date: July 20, 2021
ISBN: 978-0-399-18213-6
Page Count: 544
Publisher: Del Rey
Review Posted Online: May 4, 2021
Kirkus Reviews Issue: May 15, 2021
It's almost enough to make a person believe in ghosts.
A disturbing household secret has far-reaching consequences in this dark, unusual ghost story.
Mallory Quinn, fresh out of rehab and recovering from a recent tragedy, has taken a job as a nanny for an affluent couple living in the upscale suburb of Spring Brook, New Jersey, when a series of strange events start to make her (and her employers) question her own sanity. Teddy, the precocious and shy 5-year-old boy she's charged with watching, seems to be haunted by a ghost who channels his body to draw pictures that are far too complex and well formed for such a young child. At first, these drawings are rather typical: rabbits, hot air balloons, trees. But then the illustrations take a dark turn, showcasing the details of a gruesome murder; the inclusion of the drawings, which start out as stick figures and grow increasingly more disturbing and sophisticated, brings the reader right into the story. With the help of an attractive young gardener and a psychic neighbor and using only the drawings as clues, Mallory must solve the mystery of the house's grizzly past before it's too late. Rekulak does a great job with character development: Mallory, who narrates in the first person, has an engaging voice; the Maxwells' slightly overbearing parenting style and passive-aggressive quips feel very familiar; and Teddy is so three-dimensional that he sometimes feels like a real child.
It's almost enough to make a person believe in ghosts.Pub Date: May 10, 2022
ISBN: 978-1-250-81934-5
Page Count: 384
Publisher: Flatiron Books
Review Posted Online: March 1, 2022
Kirkus Reviews Issue: March 15, 2022
BOOK REVIEW
BOOK REVIEW
A frighteningly good debut.
Mysterious guests overstay their welcome in this fresh take on the haunted house trope.
Eve Palmer makes the biggest mistake of her life when there’s a knock on the door from a man who says he grew up in her house. Against her better instincts she invites him and his family inside, but a 15-minute look around turns into a world of trouble when she can’t get them to leave. First the Faust family’s young daughter disappears in the basement; then a storm hits and the roads are blocked, giving them no choice but to spend the night. Soon rooms appear altered, strange odors waft through the house, and a toy chimp from Eve’s childhood seems to be sending her a warning: "Once they’re in, they never leave." Kliewer’s original and extremely scary story gathers elements inspired by authors like Shirley Jackson and classic horror films including Invasion of the Body Snatchers. He’s created a can’t-look-away imaginary world in which people and places aren’t what they appear. Readers will be as shaken as Eve, who fears she’s suffering from delusions when an apparition warns her that the Fausts—and even her partner, Charlie—aren’t who they say they are. Inserted between the book’s chapters are "documents" that lay out evidence collected by conspiracy theorists who believe what’s happening to Eve has nothing to do with delusions. This alternate storyline, written in the style of Reddit—Kliewer’s novel grew out of a novella he posted there—feels jarring at times, as we’re reluctantly pulled away from Eve’s gripping tale. The conspiracy theorists’ creepy posts aren’t quite as hypnotic, but they solidify the plot’s premise and neatly tie up Eve’s predicament. Fans of the surging horror genre will think twice about opening the door when somebody knocks.
A frighteningly good debut.Pub Date: June 18, 2024
ISBN: 9781982198787
Page Count: 320
Publisher: Emily Bestler/Atria
Review Posted Online: April 18, 2024
Kirkus Reviews Issue: May 15, 2024
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