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ZER0ES

An action-packed yet cerebral thriller that lives in that murky nexus between today and the future.

A group of co-opted hackers discovers a secret government experiment gone terribly wrong.

Prolific sci-fi novelist and games enthusiast Wendig (Under the Empyrean Sky, 2013, etc.) whips up a Matrix-y bit of old-school cyberpunk updated to meet the frightening technology of the modern age. Government agent Hollis Copper is a tough old guy who's been seconded to the National Security Agency to round up a bunch of hackers for a secret project. [They’re an odd bunch. Chance Dalton is an Anonymous poser who uses dark Web tactics to out evildoers. DeAndre Mitchell uses ATM skimmers to pay for his mom’s house. Aleena Kattan uses her wicked code-breaking skills in the name of hacktivism in support of the Arab Spring. Reagan Stolper is a foulmouthed, ill-tempered troll who ruins lives in the name of “lulz.” Finally, there’s Wade Earthman, a Vietnam vet skilled in the dark arts of phishing and phreaking. They’re promised clean records if they devote a year to the NSA’s secret lodge, where pods of hackers work together to penetrate high-security networks. Things go awry when they’re charged with disrupting Iran’s nuclear program by co-opting an Iranian drone and accidentally discover a secret NSA program called Typhon and the disappearance of 13 prominent theorists. The “Zeroes” find themselves pawns in a conflict among their government captors, a renegade hacker called The Widow of Zheng, and Typhon, a sentient artificial intelligence which is growing in power and influence with every passing minute. “Because they have to be willing to accept us,” it says. “Because sometimes the child has to touch the hot stove to learn why he shouldn’t do it again. Because in chaos, there is opportunity.” This is an ambitious, bleeding-edge piece of speculative fiction that combines hacker lore, wet-wired horror, and contemporary paranoia in a propulsive adventure that’s bound to keep readers on their toes.

An action-packed yet cerebral thriller that lives in that murky nexus between today and the future.

Pub Date: Aug. 18, 2015

ISBN: 978-0-06-235155-5

Page Count: 384

Publisher: Harper Voyager

Review Posted Online: June 6, 2015

Kirkus Reviews Issue: June 15, 2015

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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GOLDEN SON

From the Red Rising Trilogy series , Vol. 2

Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the...

Brown presents the second installment of his epic science-fiction trilogy, and like the first (Red Rising, 2014), it’s chock-full of interpersonal tension, class conflict and violence.

The opening reintroduces us to Darrow au Andromedus, whose wife, Eo, was killed in the first volume. Also known as the Reaper, Darrow is a lancer in the House of Augustus and is still looking for revenge on the Golds, who are both in control and in the ascendant. The novel opens with a galactic war game, seemingly a simulation, but Darrow’s opponent, Karnus au Bellona, makes it very real when he rams Darrow’s ship and causes a large number of fatalities. In the main narrative thread, Darrow has infiltrated the Golds and continues to seek ways to subvert their oppressive and dominant culture. The world Brown creates here is both dense and densely populated, with a curious amalgam of the classical, the medieval and the futuristic. Characters with names like Cassius, Pliny, Theodora and Nero coexist—sometimes uneasily—with Daxo, Kavax and Sevro. And the characters inhabit a world with a vaguely medieval social hierarchy yet containing futuristic technology such as gravBoots. Amid the chronological murkiness, one thing is clear—Darrow is an assertive hero claiming as a birthright his obligation to fight against oppression: "For seven hundred years we have been enslaved….We have been kept in darkness. But there will come a day when we walk in the light." Stirring—and archetypal—stuff.  

Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the future and quasi-historicism.

Pub Date: Jan. 6, 2015

ISBN: 978-0-345-53981-6

Page Count: 448

Publisher: Del Rey/Ballantine

Review Posted Online: Oct. 22, 2014

Kirkus Reviews Issue: Nov. 1, 2014

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