by C.K. Williams ‧ RELEASE DATE: April 1, 2000
Sad, almost grim, rewarding.
Award-winning poet Williams (Repair, 1999) looks back on his parents' unhappy marriage, a mix of personalities that was
guaranteed from the start to produce some sparks—and did. Williams's family was in most ways a typical middle-class Jewish family of the post-Depression, postwar era. His father was a businessman who achieved success only relatively late in life, transforming the family's circumstances from dire need to relative comfort. An imposing figure, Dad was a stern and uncompromising man who, by his own choice, never apologized to anyone—a fiercely unhappy fellow. Mom was a lovely but utterly self-involved woman of great fragility, someone who never quite adjusted either to deprivation or sufficiency. Williams opens his slender memoir with a recollection of his first words to his father's dead body, "What a war we had," leaving readers to expect a sordid tale of incest or abuse—yet, mercifully, the family history is a surprisingly conventional one, littered with the kind of little battles that everyone has experienced. Williams explores these skirmishes with considerable fairness to all the participants and that, too, is a nice change of pace from the standard-issue grudge-bearing family memoir of today. Told in a series of short takes—no chapter is longer than four or five pages—this is a thoughtful excavation of ordinary family life, a refreshing change from the usual tiresome dirty laundry. Williams brings a poet's sensibility to the world of familiar people and common pursuits, and he is capable of carrying an unusual amount of insight into the psychology of family life. As more boomer-generation writers age (and as more of their parents die), we can expect to see an ever-growing number of such memoirs—but probably very few of them will be better written than this.
Sad, almost grim, rewarding.Pub Date: April 1, 2000
ISBN: 0-374-19984-1
Page Count: 176
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2000
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by C.K. Williams & illustrated by Stephen Gammell
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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