Castillon’s stories depict the disasters wrought by the intensity of the mother-daughter bond, while still suggesting the...
The English-language debut of a bestselling French author.
There is something inherently awful—or at least awfully delicate—in the relationship between mothers and daughters. Such, in any case, is the lesson embedded in this slim, incisive collection of very short stories. In some of these narratives, the parent-child bond is simply absent—the two principle characters are shackled together by the accident of birth, rather than by love. Many of these stories, though, describe a union marred by an excess of intimacy. Mothers destroy their daughters by overidentifying with them, by violating the boundaries that distinguish nurturance and protection from smothering and abuse. In “My Best Friend,” a woman embraces her own second adolescence when her daughter becomes a teenager, and, in “My Dad’s Not a Monster, Mom,” a woman with too much knowledge of her father’s betrayals sacrifices herself to her mother’s frailty. Some of these stories are rather funny. “Liar” offers a skeptical, child’s-eye view of adults in general and mothers in particular. In “I Said One,” a woman who grudgingly agrees to provide her husband with a single child finds a shockingly straightforward solution to the problem of twins. Castillon dares the reader to laugh—or, possibly, to not laugh—at the narrator’s utter lack of maternal instinct. Some of the stories are less successful than others: The tale of a woman who drives her tomboy daughter to breast implants and worse—much worse—is heavy-handed, as is the title story. Still, the best entries are well-honed and distinguished by vivid, unflinching candor. And there’s even the occasional a ray of hope: “Shame” is a lovely portrait of a teenaged girl learning to appreciate her mortifying—which is to say loving, attentive and appropriately protective—mother.
Castillon’s stories depict the disasters wrought by the intensity of the mother-daughter bond, while still suggesting the possibility of a love that’s sublime in its fragility and imperfection.Pub Date: Feb. 17, 2009
ISBN: 978-0-15-101426-2
Page Count: 176
Publisher: Houghton Mifflin Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2008
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
A tour de force.
In 1974, a troubled Vietnam vet inherits a house from a fallen comrade and moves his family to Alaska.
After years as a prisoner of war, Ernt Allbright returned home to his wife, Cora, and daughter, Leni, a violent, difficult, restless man. The family moved so frequently that 13-year-old Leni went to five schools in four years. But when they move to Alaska, still very wild and sparsely populated, Ernt finds a landscape as raw as he is. As Leni soon realizes, “Everyone up here had two stories: the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you.” There are many great things about this book—one of them is its constant stream of memorably formulated insights about Alaska. Another key example is delivered by Large Marge, a former prosecutor in Washington, D.C., who now runs the general store for the community of around 30 brave souls who live in Kaneq year-round. As she cautions the Allbrights, “Alaska herself can be Sleeping Beauty one minute and a bitch with a sawed-off shotgun the next. There’s a saying: Up here you can make one mistake. The second one will kill you.” Hannah’s (The Nightingale, 2015, etc.) follow-up to her series of blockbuster bestsellers will thrill her fans with its combination of Greek tragedy, Romeo and Juliet–like coming-of-age story, and domestic potboiler. She re-creates in magical detail the lives of Alaska's homesteaders in both of the state's seasons (they really only have two) and is just as specific and authentic in her depiction of the spiritual wounds of post-Vietnam America.
A tour de force.Pub Date: Feb. 6, 2018
ISBN: 978-0-312-57723-0
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Oct. 30, 2017
Kirkus Reviews Issue: Nov. 15, 2017
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