A mournful, elegant collection that explores what one owes to the past.
Millikin’s latest set of poems tackles difficult material in language that moves from the complex to the simple.
The past lives as a sequence of shadows and memories, leaving poets to put it into words. As the author writes in the opening poem, “Atlantic,” “I will go out / in my boat of language / because voice is not only a wound / but also a craft.” These poems reckon with landscapes, streets, and objects that are haunted by trauma and tragedy. “Pretty Dresses,” for example, ends on the image of one such item: “Traveling back roads into Georgia, we’d stop / where no one much lived, gas pumps by cinderblock / and cotton fields, me wearing grandfather’s jacket from the war.” The book mixes gritty, real-world imagery with dreamlike contrasts. One work, for instance, describes a rural taxi service and the philosophical feud between Friedrich Hölderlin and Martin Heidegger; another is about playing the Chinese board game Go as a way to survive a winter. Familiar themes of abandonment, isolation, and betrayal are all here, but they’re twisted into strange, melancholic songs of pine woods, railroad tracks, and old hotels. Along the way, Millikin tosses in erudite allusions to give mythic weight to memories: “As night is shaped of boxes, (Archimedean squares), / my grandfather built flimsy houses. / The nature of boxes is to be built of sky, / a supply from which my grandfather drew indiscriminately.” The long collection has a deeply immersive quality; the poems feel simultaneously confessional and guarded, and they offer different lessons than readers may expect at the outset. There’s also a cyclical quality to them, as in “As Snow Closes in the City”: “She is reading a story aloud in the bar / and you’re sure you’ve heard it before. / Snow closing the ways between buildings, / alleys, inlets, quays to harbor.”
A mournful, elegant collection that explores what one owes to the past.Pub Date: April 15, 2019
ISBN: 978-1-940939-90-2
Page Count: 152
Publisher: 2Leaf Press
Review Posted Online: July 17, 2020
Kirkus Reviews Issue: Sept. 15, 2020
Review Program: Kirkus Indie
BOOK REVIEW
Have tissues ready as you read this. A small package will do.
A love story about a life of second chances.
In Nassau, in the Bahamas, casino detective Vincent LaPorta grills Alfie Logan, who’d come up a winner three times in a row at the roulette table and walked away with $2 million. “How did you do it?” asks the detective. Alfie calmly denies cheating. You wired all the money to a Gianna Rule, LaPorta says. Why? To explain, Alfie produces a composition book with the words “For the Boss, to Be Read Upon My Death” written on the cover. Read this for answers, Alfie suggests, calling it a love story. His mother had passed along to him a strange trait: He can say “Twice!” and go back to a specific time and place to have a do-over. But it only works once for any particular moment, and then he must live with the new consequences. He can only do this for himself and can’t prevent anyone from dying. Alfie regularly uses his power—failing to impress a girl the first time, he finds out more about her, goes back in time, and presto! She likes him. The premise is of course not credible—LaPorta doesn’t buy it either—but it’s intriguing. Most people would probably love to go back and unsay something. The story’s focus is on Alfie’s love for Gianna and whether it’s requited, unrequited, or both. In any case, he’s obsessed with her. He’s a good man, though, an intelligent person with ordinary human failings and a solid moral compass. Albom writes in a warm, easy style that transports the reader to a world of second chances and what-ifs, where spirituality lies close to the surface but never intrudes on the story. Though a cynic will call it sappy, anyone who is sick to their core from the daily news will enjoy this escape from reality.
Have tissues ready as you read this. A small package will do.Pub Date: Oct. 7, 2025
ISBN: 9780062406682
Page Count: 320
Publisher: Harper/HarperCollins
Review Posted Online: July 18, 2025
Kirkus Reviews Issue: Aug. 15, 2025
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
A heartbreaking, laugh-provoking, and absolutely Ephron-esque look at the beauty and fragility of everyday life.
A woman faces a health crisis and obsesses over a local accident in this wonderful follow-up to Sandwich (2024).
Newman begins her latest with a quote from Nora Ephron: “Death is a sniper. It strikes people you love, people you like, people you know—it’s everywhere. You could be next. But then you turn out not to be. But then again, you could be.” It sets an appropriate tone for a story that is just as full of death and dread as it is laughter. Two years after the events of Sandwich, Rocky is back home in Western Massachusetts and happily surrounded by family—her daughter, Willa, lives with her and her husband, Nick, while applying to Ph.D. programs; her widowed father, Mort, has moved into the in-law apartment behind their house. When a young man who graduated from high school with Rocky’s son, Jamie, is hit by a train, Rocky finds herself spiraling as she thinks about how close the tragedy came to her own family. She’s also freaking out about a mysterious rash her dermatologist can’t explain. Both instances are tailor-made for internet research and stalking. As Rocky obsessively googles her symptoms and finds only bad news (“Here’s what’s true about the Internet: very infrequently do people log on with their good news. Gosh, they don’t write, I had this weird rash on my forearm? And it turned out to be completely nothing!”), she also compulsively checks the Facebook page of the accident victim’s mother. Newman excels at showing how sorrow and joy coexist in everyday life. She masterfully balances a modern exploration of grief with truly laugh-out-loud lines (one passage about the absurdity of collecting a stool sample and delivering it to the doctor stands out). As Rocky deals with the byzantine frustrations of the medical system, she also has to learn, once more, how to see her children, husband, father, and herself as fully flawed and lovable humans.
A heartbreaking, laugh-provoking, and absolutely Ephron-esque look at the beauty and fragility of everyday life.Pub Date: Oct. 28, 2025
ISBN: 9780063453913
Page Count: 224
Publisher: Harper/HarperCollins
Review Posted Online: July 17, 2025
Kirkus Reviews Issue: Aug. 15, 2025
PERSPECTIVES
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