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SONGS FOR GHOSTS

A thrilling and creative story of growth.

A teenage boy helps a mysterious ghost after discovering her diary.

Nothing in Adam’s life makes him feel like he belongs: His Japanese mother died, and he’s living with his closed-off white father and his kind stepmother and baby half brother. He also just got dumped by his first boyfriend. When Adam discovers an old diary in the attic, he finds a welcome distraction in reading the words of a young woman living in Nagasaki, Japan, in 1911. The entries are letters to her deceased grandmother, telling of her studies, complex familial interactions, and even more complicated romantic relationships. She also writes about ghosts—some harmless and others not—and how playing the biwa, or Japanese lute, appeases them. Adam, who doesn’t believe in spirits, is shocked when the ghost of the diary writer appears, asking for his help: “I cannot rest / where did the story go.” He tries to discover answers by going on a homestay in Nagasaki, where he also explores his own cultural heritage, family history and dynamics, and messy love life in a country where he barely speaks the language. Kumagai’s sophomore novel is an exciting blend of paranormal, mystery, and romance elements. The past and present are entwined and parallel one another in this beautifully emotional story of love, betrayal, heartbreak, death, and family. Through the diary entries and Adam’s research and exploration, Japanese history, language, culture, and stories are seamlessly integrated into the narrative.

A thrilling and creative story of growth. (Supernatural. 13-18)

Pub Date: Aug. 12, 2025

ISBN: 9781419768538

Page Count: 400

Publisher: Amulet/Abrams

Review Posted Online: May 16, 2025

Kirkus Reviews Issue: June 15, 2025

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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WE WERE LIARS

From the We Were Liars series

Riveting, brutal and beautifully told.

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A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.

Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.

Riveting, brutal and beautifully told. (Fiction. 14 & up)

Pub Date: May 13, 2014

ISBN: 978-0-385-74126-2

Page Count: 240

Publisher: Delacorte

Review Posted Online: March 16, 2014

Kirkus Reviews Issue: April 1, 2014

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