by Clara Vulliamy ; illustrated by Clara Vulliamy ‧ RELEASE DATE: Sept. 1, 2013
Still, Martha’s excitement is infectious, and younger siblings should feel it as well as newly minted students. (Picture...
With an enthusiasm that virtually oozes off the pages and infects readers, Martha tells readers all about herself and her preparations for her first day of school.
While many going-to-school books are about jitters or routines or school supplies, this one is in a class by itself, focusing on Martha’s close relationship with the younger brothers she’ll be leaving at home and on all her favorite things. Martha’s exuberance for her possessions can be likened to Lilly with her purple plastic purse or Olivia and all her outfits. The morning of Martha’s first day of school is a busy one as she tries to balance her brothers’ need for guidance (and reassurance) with packing her backpack, a hysterical pursuit that has Martha stuffing in everything but the kitchen sink before her mother helps her pare it down. The book ends on just the right note: A school-loving Martha returns home to join her beloved brothers in their Happy Bunny Club, which she helped them set up that morning. Vulliamy keeps the energy high in her cartoon illustrations, which brim with color and combine labeled vignettes (almost like rebuses) with sometimes-overbusy spot illustrations. The artwork is nicely accented with collaged items, one slight misstep being the sign that Martha pens, with too-perfect spelling and penmanship, for the new club.
Still, Martha’s excitement is infectious, and younger siblings should feel it as well as newly minted students. (Picture book. 4-7)Pub Date: Sept. 1, 2013
ISBN: 978-0-8075-4976-6
Page Count: 32
Publisher: Whitman
Review Posted Online: Aug. 27, 2013
Kirkus Reviews Issue: Sept. 15, 2013
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by Aaron Reynolds ; illustrated by Peter Brown ‧ RELEASE DATE: Aug. 21, 2012
Serve this superbly designed title to all who relish slightly scary stories.
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New York Times Bestseller
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Caldecott Honor Book
Kids know vegetables can be scary, but rarely are edible roots out to get someone. In this whimsical mock-horror tale, carrots nearly frighten the whiskers off Jasper Rabbit, an interloper at Crackenhopper Field.
Jasper loves carrots, especially those “free for the taking.” He pulls some in the morning, yanks out a few in the afternoon, and comes again at night to rip out more. Reynolds builds delicious suspense with succinct language that allows understatements to be fully exploited in Brown’s hilarious illustrations. The cartoon pictures, executed in pencil and then digitally colored, are in various shades of gray and serve as a perfectly gloomy backdrop for the vegetables’ eerie orange on each page. “Jasper couldn’t get enough carrots … / … until they started following him.” The plot intensifies as Jasper not only begins to hear the veggies nearby, but also begins to see them everywhere. Initially, young readers will wonder if this is all a product of Jasper’s imagination. Was it a few snarling carrots or just some bathing items peeking out from behind the shower curtain? The ending truly satisfies both readers and the book’s characters alike. And a lesson on greed goes down like honey instead of a forkful of spinach.
Serve this superbly designed title to all who relish slightly scary stories. (Picture book. 4-7)Pub Date: Aug. 21, 2012
ISBN: 978-1-4424-0297-3
Page Count: 40
Publisher: Simon & Schuster
Review Posted Online: May 1, 2012
Kirkus Reviews Issue: Aug. 1, 2012
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by Riel Nason ; illustrated by Byron Eggenschwiler ‧ RELEASE DATE: Sept. 1, 2020
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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by Riel Nason ; illustrated by Byron Eggenschwiler
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