Like its predecessor, more a refreshingly animated exercise in building community and awareness than a specific procedural...
A heat wave and a drought spark more multi-fronted eco-activism in this sequel to Luz Sees the Light (2011).
Blasting sun, weeks without rain, scheduled brownouts and water rationing have taken their toll on Petroville and the dying community gardens in Friendship Park. As if that's not bad enough, wilted young Luz discovers to her shock that with the new Top Cola plant sucking up groundwater, the once-brimming Spring Pond outside of town has become only a mudhole. Everyone springs into action. Luz’s friends join her mother, her aged abuela and other adult allies to mount a protest campaign against Top Cola’s water use. Meanwhile, Luz helps neighbors set up rain barrels, hoses and a bathtub “mini-marsh” to filter graywater from local businesses for the gardens. At last a massive cloudburst and Top Cola’s promise to restore the pond bring sweet relief. It's plainly purposeful, as seen in dialogue (“Let’s look for other cases of water rights abuses around the world”; “Carbon footprint!”) and a concluding minifeature in which Luz helps a neighbor xeriscape a turf lawn. It's not just a lesson, though. The episode is fleshed out not only with character interaction and comedic side play, but in Dávila’s simply drawn, monochrome blue panels, in which figures pose and expostulate with theatrical energy.
Like its predecessor, more a refreshingly animated exercise in building community and awareness than a specific procedural guide for going green. (Graphic novel. 8-10)Pub Date: Aug. 1, 2012
ISBN: 978-1-55453-762-4
Page Count: 96
Publisher: Kids Can
Review Posted Online: June 5, 2012
Kirkus Reviews Issue: July 1, 2012
Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock”...
The theme of persistence (for better or worse) links four tales of magic, trickery, and near disasters.
Lachenmeyer freely borrows familiar folkloric elements, subjecting them to mildly comical twists. In the nearly wordless “Hip Hop Wish,” a frog inadvertently rubs a magic lamp and finds itself saddled with an importunate genie eager to shower it with inappropriate goods and riches. In the title tale, an increasingly annoyed music-hating witch transforms a persistent minstrel into a still-warbling cow, horse, sheep, goat, pig, duck, and rock in succession—then is horrified to catch herself humming a tune. Athesius the sorcerer outwits Warthius, a rival trying to steal his spells via a parrot, by casting silly ones in Ig-pay Atin-lay in the third episode, and in the finale, a painter’s repeated efforts to create a flattering portrait of an ogre king nearly get him thrown into a dungeon…until he suddenly understands what an ogre’s idea of “flattering” might be. The narratives, dialogue, and sound effects leave plenty of elbow room in Blocker’s big, brightly colored panels for the expressive animal and human(ish) figures—most of the latter being light skinned except for the golden genie, the blue ogre, and several people of color in the “Sorcerer’s New Pet.”
Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock” music. (Graphic short stories. 8-10)Pub Date: June 18, 2019
ISBN: 978-1-59643-750-0
Page Count: 112
Publisher: First Second
Review Posted Online: April 27, 2019
Kirkus Reviews Issue: May 15, 2019
A winner.
When a young girl’s imagination and creativity are co-opted by a mysterious new friend, she must find a way to regain what is rightfully hers.
Sandy is a brown-skinned, dark-haired girl with big black eyes and a vivid imagination. At night, as she goes to sleep, she catches the lights bobbing about in her room and turns them into anything she imagines. The next day is spent drawing the fantastical creatures from her dreams, much to the detriment of her schoolwork. When a tall, pale-skinned girl with purple hair befriends her, Sandy is excited, though there is something eerie and unsettling about her new companion. Her excitement soon turns to anger as Morfie enters her imaginative nighttime world and tries to take it over. Readers will cheer at the clever way in which Sandy regains control. Using a lovely palette that includes a liberal amount of rich, dark purple, Colombian-born Alvarez has drawn a world that harks back to her native Bogotá and days in Catholic school, evoking it in wonderful detail and atmosphere. Her pages are not crowded yet are filled with details that will engage readers. The beings that inhabit Sandy’s nighttime world are simply delightful. The album size, cloth spine binding, and spot gloss on the cover are the icing on the cake of this beautiful graphic novel.
A winner. (Graphic fantasy. 8-10)Pub Date: March 14, 2017
ISBN: 978-1-910620-13-7
Page Count: 56
Publisher: Nobrow Ltd.
Review Posted Online: Dec. 13, 2016
Kirkus Reviews Issue: Jan. 1, 2017
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