An absorbing look at one woman’s achievements during World War I.
An overlooked hero of World War I is given her due.
In a more innocent time, when going to war was considered an adventure, Grace Banker answered the U.S. Signal Corps’ call for women telephone operators. College educated when women generally weren’t and already training switchboard operators at 25, she was named chief operator of a group known as the Signal Corps Girls and sent overseas to connect military calls from England to France, sometimes from secret locations. Quotes from Banker’s diary and letters accompany Friddell’s straightforward, descriptive text, bringing to life her dedication, humor, and fearlessness. Baddeley’s appealing, comics-style illustrations provide a strong sense of time and place, depicting the White protagonist amid a mostly but not all-White cast; some of the doughboys are soldiers of color. The focus is on her accomplishments and the positive aspects of her story; the tale ends with a return home with headlines full of praise and a distinguished service medal while the endnotes reveal that women in her position were not recognized as service members and were not seen as veterans eligible for benefits until 1977, after her death. Overall, this overlooked piece of history—the role of women during World War I—is presented in engaging detail, and the result is a captivating depiction of a smart, spirited woman who found a way to use her skills and intelligence to benefit her country in an unexpected way. (This book was reviewed digitally with 11-by-18-inch double-page spreads viewed at 67.5% of actual size.)
An absorbing look at one woman’s achievements during World War I. (timeline, notes, bibliography) (Picture book/biography. 6-10)Pub Date: Feb. 2, 2021
ISBN: 978-1-68437-350-5
Page Count: 40
Publisher: Calkins Creek/Boyds Mills
Review Posted Online: Dec. 14, 2020
Kirkus Reviews Issue: Jan. 1, 2021
Blandly inspirational fare made to evoke equally shrink-wrapped responses.
An NBA star pays tribute to the influence of his grandfather.
In the same vein as his Long Shot (2009), illustrated by Frank Morrison, this latest from Paul prioritizes values and character: “My granddad Papa Chilly had dreams that came true,” he writes, “so maybe if I listen and watch him, / mine will too.” So it is that the wide-eyed Black child in the simply drawn illustrations rises early to get to the playground hoops before anyone else, watches his elder working hard and respecting others, hears him cheering along with the rest of the family from the stands during games, and recalls in a prose afterword that his grandfather wasn’t one to lecture but taught by example. Paul mentions in both the text and the backmatter that Papa Chilly was the first African American to own a service station in North Carolina (his presumed dream) but not that he was killed in a robbery, which has the effect of keeping the overall tone positive and the instructional content one-dimensional. Figures in the pictures are mostly dark-skinned. (This book was reviewed digitally.)
Blandly inspirational fare made to evoke equally shrink-wrapped responses. (Picture book. 6-8)Pub Date: Jan. 10, 2023
ISBN: 978-1-250-81003-8
Page Count: 32
Publisher: Roaring Brook Press
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
BOOK REVIEW
A reasonably solid grounding in constitutional rights, their flexibility, lacunae, and hard-won corrections, despite a few...
Shamir offers an investigation of the foundations of freedoms in the United States via its founding documents, as well as movements and individuals who had great impacts on shaping and reshaping those institutions.
The opening pages of this picture book get off to a wobbly start with comments such as “You know that feeling you get…when you see a wide open field that you can run through without worrying about traffic or cars? That’s freedom.” But as the book progresses, Shamir slowly steadies the craft toward that wide-open field of freedom. She notes the many obvious-to-us-now exclusivities that the founding political documents embodied—that the entitled, white, male authors did not extend freedom to enslaved African-Americans, Native Americans, and women—and encourages readers to learn to exercise vigilance and foresight. The gradual inclusion of these left-behind people paints a modestly rosy picture of their circumstances today, and the text seems to give up on explaining how Native Americans continue to be left behind. Still, a vital part of what makes freedom daunting is its constant motion, and that is ably expressed. Numerous boxed tidbits give substance to the bigger political picture. Who were the abolitionists and the suffragists, what were the Montgomery bus boycott and the “Uprising of 20,000”? Faulkner’s artwork conveys settings and emotions quite well, and his drawing of Ruby Bridges is about as darling as it gets. A helpful timeline and bibliography appear as endnotes.
A reasonably solid grounding in constitutional rights, their flexibility, lacunae, and hard-won corrections, despite a few misfires. (Informational picture book. 6-10)Pub Date: May 2, 2017
ISBN: 978-0-399-54728-7
Page Count: 32
Publisher: Philomel
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
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