A taste of wilderness of yore to whet the appetites of future fans of Laura Ingalls Wilder, Louise Erdrich and Kirkpatrick...
“When I was nine years old, I lived one winter on Fox Island, with my father, an old trapper named Olson, six blue fox, a family of angora goats, and Squirlie. This is what happened.”
So begins an imaginary memoir, based on the records of Rockwell Kent III and his artist father. Artwork reminiscent of Mary Azarian’s graces pages that begin with the son noting that his father wanted to go to Alaska to paint. “We pleaded with Mother until she said yes. Squirlie came too.” In September 1918, father, son and toy squirrel travel by train, steamship and rowboat to get to the remote island, where they renovate an old shed. Now the outdoor adventures begin. Three well-calculated pairs of suspenseful rectos followed by a harmless, concluding page turn keep readers riveted while meting out facts. As the boy heads down a trail, he hears noises that he knows could be a grizzly bear. The page turn reveals a beautiful black-inked portrait of a porcupine. The woodcuts capture the joys of playing in the snow, the warmth of stories by lamplight, occasional loneliness and the hazards of a storm at sea. Readers may be forgiven for thinking that Rocky is a girl before they reach the author’s note, as he looks androgynous in the illustrations.
A taste of wilderness of yore to whet the appetites of future fans of Laura Ingalls Wilder, Louise Erdrich and Kirkpatrick Hill. (author’s note) (Picture book. 4-8)Pub Date: March 3, 2015
ISBN: 978-1-57061-950-2
Page Count: 32
Publisher: Little Bigfoot/Sasquatch
Review Posted Online: Jan. 9, 2015
Kirkus Reviews Issue: Jan. 15, 2015
Readers will agree that “Melba Doretta Liston was something special.”
Bewitched by the rhythms of jazz all around her in Depression-era Kansas City, little Melba Doretta Liston longs to make music in this fictional account of a little-known jazz great.
Picking up the trombone at 7, the little girl teaches herself to play with the support of her Grandpa John and Momma Lucille, performing on the radio at 8 and touring as a pro at just 17. Both text and illustrations make it clear that it’s not all easy for Melba; “The Best Service for WHITES ONLY” reads a sign in a hotel window as the narrative describes a bigotry-plagued tour in the South with Billie Holiday. But joy carries the day, and the story ends on a high note, with Melba “dazzling audiences and making headlines” around the world. Russell-Brown’s debut text has an innate musicality, mixing judicious use of onomatopoeia with often sonorous prose. Morrison’s sinuous, exaggerated lines are the perfect match for Melba’s story; she puts her entire body into her playing, the exaggerated arch of her back and thrust of her shoulders mirroring the curves of her instrument. In one thrilling spread, the evening gown–clad instrumentalist stands over the male musicians, her slide crossing the gutter while the back bow disappears off the page to the left. An impressive discography complements a two-page afterword and a thorough bibliography.
Readers will agree that “Melba Doretta Liston was something special.” (Picture book. 4-8)Pub Date: July 1, 2014
ISBN: 978-1-60060-898-8
Page Count: 40
Publisher: Lee & Low Books
Review Posted Online: June 3, 2014
Kirkus Reviews Issue: June 15, 2014
A resplendent masterpiece.
Based on her experience of leaving Mexico for the United States, Morales’ latest offers an immigrant’s tale steeped in hope, dreams, and love.
This story begins with a union between mother and son, with arms outstretched in the midst of a new beginning. Soon after, mother and son step on a bridge, expansive “like the universe,” to cross to the other side, to become immigrants. An ethereal city appears, enfolded in fog. The brown-skinned woman and her child walk through this strange new land, unwilling to speak, unaccustomed to “words unlike those of our ancestors.” But soon their journey takes them to the most marvelous of places: the library. In a series of stunning double-page spreads, Morales fully captures the sheer bliss of discovery as their imaginations take flight. The vibrant, surreal mixed-media artwork, including Mexican fabric, metal sheets, “the comal where I grill my quesadillas,” childhood drawings, and leaves and plants, represents a spectacular culmination of the author’s work thus far. Presented in both English and Spanish editions (the latter in Teresa Mlawer’s translation), equal in evocative language, the text moves with purpose. No word is unnecessary, each a deliberate steppingstone onto the next. Details in the art provide cultural markers specific to the U.S., but the story ultimately belongs to one immigrant mother and her son. Thanks to books and stories (some of her favorites are appended), the pair find their voices as “soñadores of the world.”
A resplendent masterpiece. (author’s note) (Picture book. 4-8)Pub Date: Sept. 4, 2018
ISBN: 978-0-8234-4055-9
Page Count: 40
Publisher: Neal Porter/Holiday House
Review Posted Online: July 31, 2018
Kirkus Reviews Issue: Aug. 15, 2018
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