Third grader Oliver Olson has a problem that may make many young readers envious: His parents have a compulsion to be deeply involved in his homework, to the extent that when he’s assigned a diorama on the solar system, Dad and Mom are planning to do all the work. Oliver’s parents are extremely overprotective, and he yearns to find some freedom now that he’s getting older. Fortunately, classmate Crystal comes from a less restrictive family, and, when they find common ground on the issue of Pluto’s no-longer-a-planet status, she volunteers to partner with Oliver on the diorama. Oliver’s concern about his parents’ likely disappointment at their exclusion adds a nice level of believability to his character. Each chapter includes a lively illustration from Maione that matches the text neatly, characters’ varied facial expressions conveying just the right emotions. Oliver may not change the world by the end of his diorama project, but he will certainly provide a fast-paced, entertaining read to the chapter-book audience. (Fiction. 7-9)
Pub Date: March 23, 2009
ISBN: 978-0-374-33487-1
Page Count: 112
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2009
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Trickling, bubbling, swirling, rushing, a river flows down from its mountain beginnings, past peaceful country and bustling city on its way to the sea. Hooper (The Drop in My Drink, 1998, etc.) artfully evokes the water’s changing character as it transforms from “milky-cold / rattling-bold” to a wide, slow “sliding past mudflats / looping through marshes” to the end of its journey. Willey, best known for illustrating Geraldine McCaughrean’s spectacular folk-tale collections, contributes finely detailed scenes crafted in shimmering, intricate blues and greens, capturing mountain’s chill, the bucolic serenity of passing pastures, and a sense of mystery in the water’s shadowy depths. Though Hooper refers to “the cans and cartons / and bits of old wood” being swept along, there’s no direct conservation agenda here (for that, see Debby Atwell’s River, 1999), just appreciation for the river’s beauty and being. (Picture book/nonfiction. 7-9)
Pub Date: June 1, 2000
ISBN: 0-7636-0792-4
Page Count: 32
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2000
Nolen and Nelson offer a smaller, but no less gifted counterpart to Big Jabe (2000) in this new tall tale. Shortly after being born one stormy night, Rose thanks her parents, picks a name, and gathers lightning into a ball—all of which is only a harbinger of feats to come. Decked out in full cowboy gear and oozing self-confidence from every pore, Rose cuts a diminutive, but heroic figure in Nelson’s big, broad Western scenes. Though she carries a twisted iron rod as dark as her skin and ropes clouds with fencing wire, Rose overcomes her greatest challenge—a pair of rampaging twisters—not with strength, but with a lullaby her parents sang. After turning tornadoes into much-needed rain clouds, Rose rides away, “that mighty, mighty song pressing on the bull’s-eye that was set at the center of her heart.” Throughout, she shows a reflective bent that gives her more dimension than most tall-tale heroes: a doff of the Stetson to her and her creators. (author’s note) (Picture book. 7-9)
Pub Date: Sept. 1, 2003
ISBN: 0-15-216472-3
Page Count: 32
Publisher: Silver Whistle/Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2003
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