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THE NIGHT BEFORE CHRISTMAS

A warm and welcome retelling.

Young urbanites encounter St. Nick on Christmas Eve.

In this version of the classic poem, Moore’s language is untouched while a new visual story unfolds, courtesy of Goodman. The familiar opening lines (“’Twas the night before Christmas, when all through the house / Not a creature was stirring, not even a mouse”) are paired with an image depicting a cozy street blanketed by snow and filled with brick apartment buildings. Inside, residents wrap gifts and prepare cookies. Others throughout the premises are nestled in various shared bedrooms, shown in a patchwork diorama. A physically imposing St. Nick swoops in with a lush gray-white beard and gobs of mischief in his eyes. He surprises and delights several children and even offers a cheerful red gift box to a trio of curled-up mice. The age-old rhyme chugs along to its conclusion, where a smattering of characters introduced earlier bid the sleigh a good night. Goodman offers a fun and clever spin on the beloved Yuletide tale, changing up settings from a suburban neighborhood to an urban apartment building. Kids will revel in determining or imagining the relationships among all the people and in playing seek-and-find games in the busy spreads. The muted warm palette is inviting and calm, evoking the feeling of a good winter’s rest. All characters are brown-skinned.

A warm and welcome retelling. (Picture book. 4-8)

Pub Date: Oct. 14, 2025

ISBN: 9781250349941

Page Count: 32

Publisher: Henry Holt

Review Posted Online: July 4, 2025

Kirkus Reviews Issue: Aug. 1, 2025

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HOW TO CATCH A WITCH

Not enough tricks to make this a treat.

Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.

Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)

Not enough tricks to make this a treat. (Picture book. 4-7)

Pub Date: Aug. 2, 2022

ISBN: 978-1-72821-035-3

Page Count: 40

Publisher: Sourcebooks Wonderland

Review Posted Online: May 10, 2022

Kirkus Reviews Issue: June 1, 2022

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HOW TO CATCH A MONSTER

From the How To Catch… series

Only for dedicated fans of the series.

When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.

“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.

Only for dedicated fans of the series. (Picture book. 5-8)

Pub Date: Sept. 1, 2017

ISBN: 978-1-4926-4894-9

Page Count: 40

Publisher: Sourcebooks Jabberwocky

Review Posted Online: July 14, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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