by Clement C. Moore ; illustrated by Mr. Boddington ‧ RELEASE DATE: Oct. 12, 2021
This fresh take on an old text is worth checking out.
An old Christmas poem is paired with Mr. Boddington’s distinctive illustration style.
Linear brush strokes, multiple patterns, flat perspectives, and blocks of pink distinguish the illustrations accompanying this rendition of the familiar Christmas chestnut. The text of the poem is set in couplets against bubbles or solid background colors. Busy pictures show a brown-skinned family sleeping inside a multistory residence set in a small, Christmas-themed village, with Santa’s sleigh and reindeer riding above. Elves with various skin tones and hair textures assist Santa, who is White, with the deliveries. Going down the chimney and inside the narrator’s home, the elves explore playfully while Santa finds a moment to sit, smoking his pipe and reading the newspaper. The perspective of the spreads resembles a view into a dollhouse. Santa’s list of major cities to visit includes Nairobi, Rio, Istanbul, Tokyo, and Mumbai, among other destinations, but the names on his list of “nice” children (and pets) are noticeably and disappointingly not nearly so international in character. Text within the illustrations adds details to the story, including a nod to Jean-Michel Basquiat on the family’s kitchen bulletin board. Santa’s sleigh takes off into the star-studded night sky above a zoo filled with active animals in the middle of the red and green town. This unexpected combination of old poetry with a modern artistic style will find an enthusiastic audience in Mr. Boddington’s existing fans and may win the design studio new ones as well. (This book was reviewed digitally.)
This fresh take on an old text is worth checking out. (Picture book. 4-9)Pub Date: Oct. 12, 2021
ISBN: 978-0-593-38407-7
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Aug. 17, 2021
Kirkus Reviews Issue: Sept. 1, 2021
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by James Dean ; illustrated by James Dean ‧ RELEASE DATE: Sept. 18, 2018
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
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by Alice Walstead ; illustrated by Andy Elkerton ‧ RELEASE DATE: Aug. 2, 2022
Not enough tricks to make this a treat.
Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.
Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)
Not enough tricks to make this a treat. (Picture book. 4-7)Pub Date: Aug. 2, 2022
ISBN: 978-1-72821-035-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
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