by Clement C. Moore ; illustrated by Mr. Boddington ‧ RELEASE DATE: Oct. 12, 2021
This fresh take on an old text is worth checking out.
An old Christmas poem is paired with Mr. Boddington’s distinctive illustration style.
Linear brush strokes, multiple patterns, flat perspectives, and blocks of pink distinguish the illustrations accompanying this rendition of the familiar Christmas chestnut. The text of the poem is set in couplets against bubbles or solid background colors. Busy pictures show a brown-skinned family sleeping inside a multistory residence set in a small, Christmas-themed village, with Santa’s sleigh and reindeer riding above. Elves with various skin tones and hair textures assist Santa, who is White, with the deliveries. Going down the chimney and inside the narrator’s home, the elves explore playfully while Santa finds a moment to sit, smoking his pipe and reading the newspaper. The perspective of the spreads resembles a view into a dollhouse. Santa’s list of major cities to visit includes Nairobi, Rio, Istanbul, Tokyo, and Mumbai, among other destinations, but the names on his list of “nice” children (and pets) are noticeably and disappointingly not nearly so international in character. Text within the illustrations adds details to the story, including a nod to Jean-Michel Basquiat on the family’s kitchen bulletin board. Santa’s sleigh takes off into the star-studded night sky above a zoo filled with active animals in the middle of the red and green town. This unexpected combination of old poetry with a modern artistic style will find an enthusiastic audience in Mr. Boddington’s existing fans and may win the design studio new ones as well. (This book was reviewed digitally.)
This fresh take on an old text is worth checking out. (Picture book. 4-9)Pub Date: Oct. 12, 2021
ISBN: 978-0-593-38407-7
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Aug. 17, 2021
Kirkus Reviews Issue: Sept. 1, 2021
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by Adam Wallace ; illustrated by Andy Elkerton ‧ RELEASE DATE: Sept. 1, 2017
Only for dedicated fans of the series.
When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.
“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.
Only for dedicated fans of the series. (Picture book. 5-8)Pub Date: Sept. 1, 2017
ISBN: 978-1-4926-4894-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
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by James Dean ; illustrated by James Dean ‧ RELEASE DATE: Sept. 18, 2018
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
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