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THE LAST TRAIN NORTH

As a self-styled ``cultural diary,'' this sequel to Taulbert's rich memoir, Once Upon a Time When We Were Colored (1989), often fails to rise above a matter-of-fact blandness. In 1963, Taulbert, a hope-filled high-school valedictorian, left his home in the Mississippi Delta aboard the Illinois Central bound for St. Louis. His trip was in part sponsored by his father, a Baptist preacher whom he'd never seen. When they finally met in St. Louis, the man left the bewildered youth with relatives on North Spring Avenue and informed him that they ``probably'' would not have a relationship (Taulbert later describes sneaking into his father's church to hear him preach). The author's new extended family included bossy Mama Beulah and her daughter, Dora; Uncle Madison, who owned the grocery store above which the family lived; and friendly, gentle Aunt Clara. Taulbert shared a dingy room with a cousin, worked part-time at the store, and attended the Lively Stone Church of God. Here, he details how he acquired his ``city'' clothes, got a ``northern haircut,'' reacted to his first snowfall, and made his first friends. A highlight—for the author, anyway—is his first trip back home, where he got the royal treatment (including meals and southern hospitality that he describes with some warmth, although the magic phrase ``sweet potato pie'' becomes a bit tiresome). Taulbert's story continues with his first jobs in St. Louis—as a dishwasher and bank messenger—through his enlistment in the Air Force, boot camp in Texas, and stint in Maine during the Vietnam War. Some charming moments, but not the equal of Taulbert's first book as here he fails to mine personalities and situations seemingly laden with possibility.

Pub Date: July 1, 1992

ISBN: 0-933031-62-9

Page Count: 228

Publisher: Council Oak

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 1992

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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