More farfetched doings for Dirk Pitt, director of special projects at the National Underwater and Marine Agency—starting, circa 1989, when people start dropping horribly dead in Alaskan waters: somehow, it seems, ultrasecret Nerve Agent S has been leaking into the sea up there! ("One teaspoon will kill every living organism in four million gallons of seawater.") So Dirk and his crew head north and manage to find the source of the killer-pollution in a sunken ship. But how did the poison (stolen from a US Army dumping ground in Nevada) wind up on that ship? And why do clues aboard the sunken vessel connect to other lost mystery-ships? Those are the puzzles for Dirk, who, ignited by the Nerve Agent death of colleague Julie Mendoza (her protective suit got torn during a volcano), determines to track down the villains behind it all. But meanwhile those villains—a Fu Manchu-ish corporation headed by an aged Dragon Lady—are up to even more diabolical schemes. In cahoots with the USSR, you see, the evil Orientals have arranged for the US Prez and VP to be abducted from the Presidential yacht in the Potomac! Why? So that the Russians can give the Prez a super-brainwashing—just your basic injection of RNA into the hippocampus, plus a nifty brain implant. Before the President suddenly reappears, however, claiming to have been engaged in a super-summit meeting, Dirk has again been called into emergency action: he locates the sunken yacht, figuring out how the magical abduction was arranged. And after the thoroughly re-brained Prez behaves so weirdly that he gets impeached, there'll be still another major mission for Cussler's indefatigable hero: Dirk must find and rescue the still-missing VP before slimy Speaker of the House Alan Moran (a tool of the Oriental conspiracy) takes over the White House. The villains repeatedly try to kill Dirk; congresswoman Loren, Dirk's love, gets abducted when she tries to lend a hand; the bad guys fight among themselves; nautical, explosive rescues and showdowns proliferate. In short: more of the same from unpretentious, hard-working actioneer Cussler—with faceless characters, loopy plotting, solid techno-detail, and (this time) more than a glimmer of Yellow Peril racism.
Pub Date: May 21, 1984
ISBN: 1416516859
Page Count: 545
Publisher: Simon & Schuster
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: April 15, 1984
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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