More farfetched doings for Dirk Pitt, director of special projects at the National Underwater and Marine Agency—starting, circa 1989, when people start dropping horribly dead in Alaskan waters: somehow, it seems, ultrasecret Nerve Agent S has been leaking into the sea up there! ("One teaspoon will kill every living organism in four million gallons of seawater.") So Dirk and his crew head north and manage to find the source of the killer-pollution in a sunken ship. But how did the poison (stolen from a US Army dumping ground in Nevada) wind up on that ship? And why do clues aboard the sunken vessel connect to other lost mystery-ships? Those are the puzzles for Dirk, who, ignited by the Nerve Agent death of colleague Julie Mendoza (her protective suit got torn during a volcano), determines to track down the villains behind it all. But meanwhile those villains—a Fu Manchu-ish corporation headed by an aged Dragon Lady—are up to even more diabolical schemes. In cahoots with the USSR, you see, the evil Orientals have arranged for the US Prez and VP to be abducted from the Presidential yacht in the Potomac! Why? So that the Russians can give the Prez a super-brainwashing—just your basic injection of RNA into the hippocampus, plus a nifty brain implant. Before the President suddenly reappears, however, claiming to have been engaged in a super-summit meeting, Dirk has again been called into emergency action: he locates the sunken yacht, figuring out how the magical abduction was arranged. And after the thoroughly re-brained Prez behaves so weirdly that he gets impeached, there'll be still another major mission for Cussler's indefatigable hero: Dirk must find and rescue the still-missing VP before slimy Speaker of the House Alan Moran (a tool of the Oriental conspiracy) takes over the White House. The villains repeatedly try to kill Dirk; congresswoman Loren, Dirk's love, gets abducted when she tries to lend a hand; the bad guys fight among themselves; nautical, explosive rescues and showdowns proliferate. In short: more of the same from unpretentious, hard-working actioneer Cussler—with faceless characters, loopy plotting, solid techno-detail, and (this time) more than a glimmer of Yellow Peril racism.
Pub Date: May 21, 1984
ISBN: 1416516859
Page Count: 545
Publisher: Simon & Schuster
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: April 15, 1984
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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