Dirk Pitt returns for his 11th undersea adventure (Shock Wave, 1996, etc.), still as far out and full of derring-do as ever. Along with arms and drugs, Qui Shang, the fourth richest man in the world, smuggles Chinese by the millions into the US, Canada, and Europe. In the near future, the US population is edging toward 360 million, and it begins to seem likely that Chinese will control the West Coast from San Francisco to Alaska. A divided America looms—but, then, no civilization lasts forever. Unless, of course, it has a steady succession of Dirk Pitts to call on for help. Here, Pitt, vacationing on Orion Lake near Seattle, discovers that the frigid lake is a warehouse for thousands of dead Chinese, those who were too infirm to be sold as slaves by Qui Shang or used as prostitutes. Qui Shang has bought much of the US government, including the president, as well as top men in the People's Republic of China. And now, just as Pitt begins to pick up his trail, it turns out he's working on his biggest operation yet. He has built a multibillion-dollar port above New Orleans for no visible economic reason, though in fact he uses it to unload illegals—and also has far more ambitious plans for it. He and his henchmen have devised a plan to divert the Mississippi back into its former bed, thus creating a catastrophe that will give his company a gigantic shipping advantage by sending New Orleans the way of Atlantis. Pitt and his friends at the National Underwater and Marine Agency all but single-handedly uncover Qui Shang's plots by spying on him with submersibles, and little by little they begin to unravel his conspiracy, even recovering some sunken Chinese art treasures (sent abroad by Chiang Kai-shek), essential to the master criminal's plans, before Qui Shang can get them. Speedy storytelling and great fun.
Pub Date: Sept. 25, 1997
ISBN: 0-684-80298-8
Page Count: 544
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1997
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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