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KALA

Part heartfelt coming-of-age tale, part brutal Irish noir, this is a spectacular read for Donna Tartt and Tana French fans.

Irish author Walsh makes an assured debut with this gritty heartbreaker of a thriller.

On the west coast of Ireland sits the tourist town of Kinlough, where, in 2003, six teenage friends—Kala, Aoife, Helen, Aiden, Joe, and Mush—are enjoying the “summer of [their] lives,” daring each other to race their bikes down a hill across a busy main road, exploring first love, and building tight emotional bonds. When 15-year-old Kala, the gang’s charismatic but troubled leader, disappears in November, the friends’ relationships fracture: “There was no clear point where you made the decision to let your lives unbraid themselves from one another.” Fifteen years later, three of the friends meet up again. Hard-edged Helen, now a freelance journalist living in Canada, has reluctantly returned home for her father’s wedding to Pauline Lyons, Mush’s aunt. Joe, a self-absorbed rock star with a drinking problem, is back to relaunch a local music venue with a summer residency, and the solitary Mush, self-conscious about his facial scars, has never gone anywhere, preferring to sit in his mother’s cafe drinking beer and watching the summer visitors. But the discovery of Kala’s bones at a building site and the disappearance of Mush’s 16-year-old twin cousins propel the trio to reconsider their past in a dangerous search for the truth. Skillfully blending the psychological complexity of a literary novel with the propulsive pace of a thriller, the author juggles three disparate points of view (including a second-person perspective) and two timelines with masterful flair. His striking prose (“hair pineappled into an elegant mess”) is flavored with colorful Irish slang (“beor,” “craic”) without becoming twee. The handy cast of characters clarifies the family relationships, but at times the convoluted plot is confusing as it builds to a haunting conclusion.

Part heartfelt coming-of-age tale, part brutal Irish noir, this is a spectacular read for Donna Tartt and Tana French fans.

Pub Date: July 25, 2023

ISBN: 9780385549639

Page Count: 416

Publisher: Doubleday

Review Posted Online: May 9, 2023

Kirkus Reviews Issue: June 1, 2023

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THE WEDDING PEOPLE

Uneven but fitfully amusing.

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Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.

Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.

Uneven but fitfully amusing.

Pub Date: July 30, 2024

ISBN: 9781250899576

Page Count: 384

Publisher: Henry Holt

Review Posted Online: Sept. 13, 2024

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THE MAN WHO LIVED UNDERGROUND

A welcome literary resurrection that deserves a place alongside Wright’s best-known work.

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A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.

Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.

A welcome literary resurrection that deserves a place alongside Wright’s best-known work.

Pub Date: April 20, 2021

ISBN: 978-1-59853-676-8

Page Count: 240

Publisher: Library of America

Review Posted Online: March 16, 2021

Kirkus Reviews Issue: April 1, 2021

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